Connon, Derek (ed.), Alexis Piron, Le Claperman and L’Âne d’or, Critical Texts, 84 (MHRA, 2022)

Andrews, Richard, Classical Comedy 1508-1786: A Legacy from Italy and France, Italian Perspectives, 55 (Legenda, 2022)

Stevens, Sophie, Uruguayan Theatre in Translation: Theory and Practice, Transcript, 15 (Legenda, 2022)

Boyd, Jade, The Experience of Colour in Lorca's Theatre, Studies in Hispanic and Lusophone Cultures, 54 (Legenda, 2022)

Goodman, Jessica (ed.), Last Scene of All: Representing Death on the Western Stage (Legenda, 2022)

Li, Lin, Residual Figuration in Samuel Beckett and Alberto Giacometti, Studies In Comparative Literature, 53 (Legenda, 2022)

García, Miguel, Queering Lorca’s Duende: Desire, Death, Intermediality, Studies in Hispanic and Lusophone Cultures, 49 (Legenda, 2022)

Rayfield, Lucy, Poetics, Performance and Politics in French and Italian Renaissance Comedy, Transcript, 18 (Legenda, 2022)