Connon, Derek (trans.), Alexis Piron, Fernand-Cortés, Critical Texts, 28 (MHRA, 2024)
Espejo, Ramón, The Catalonian Journey of American Drama 1909-2000: From Jimmy Valentine to The Vagina Monologues, Studies in Hispanic and Lusophone Cultures, 59 (Legenda, 2024)
Quint, Alyssa, and Amanda Miryem-Khaye Seigel (eds), Women on the Yiddish Stage, Studies In Yiddish, 19 (Legenda, 2023)
Connon, Derek (trans.), Le Philosophe sans le savoir, by Michel-Jean Sedaine, New Translations, 19 (MHRA, 2023)
Hanrahan, Mairéad, Genet's Genres of Politics, Research Monographs in French Studies, 50 (Legenda, 2023)
Harris, Joseph (ed.), Louis-Sébastien Mercier, Le Vieillard et ses trois filles and Timon d’Athènes: Two Shakespeare Adaptations, Critical Texts, 82 (MHRA, 2023)
Refini, Eugenio, Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy, Italian Perspectives, 48 (Legenda, 2023)
Connon, Derek (ed.), Alexis Piron, Le Claperman and L’Âne d’or, Critical Texts, 84 (MHRA, 2022)
Andrews, Richard, Classical Comedy 1508-1786: A Legacy from Italy and France, Italian Perspectives, 55 (Legenda, 2022)
Stevens, Sophie, Uruguayan Theatre in Translation: Theory and Practice, Transcript, 15 (Legenda, 2022)
Boyd, Jade, The Experience of Colour in Lorca's Theatre, Studies in Hispanic and Lusophone Cultures, 54 (Legenda, 2022)
Goodman, Jessica (ed.), Last Scene of All: Representing Death on the Western Stage (Legenda, 2022)
Li, Lin, Residual Figuration in Samuel Beckett and Alberto Giacometti, Studies In Comparative Literature, 53 (Legenda, 2022)
García, Miguel, Queering Lorca’s Duende: Desire, Death, Intermediality, Studies in Hispanic and Lusophone Cultures, 49 (Legenda, 2022)
Rayfield, Lucy, Poetics, Performance and Politics in French and Italian Renaissance Comedy, Transcript, 18 (Legenda, 2022)
Minier, Márta, and Lily Kahn (eds), Hamlet Translations: Prisms of Cultural Encounters across the Globe, Transcript, 16 (Legenda, 2021)
Aggor, Komla (ed.), Francisco Nieva: Coronada y el toro, Critical Texts, 64 (MHRA, 2021)
Jones, Suzanne, The First English Translations of Molière: Drama in Flux 1663-1732, Transcript, 13 (Legenda, 2020)
Harris, Joseph (ed.), Marmontel and Demoustier, Le Misanthrope corrigé: Two Eighteenth-Century Sequels to Molière’s ‘Le Misanthrope’, Critical Texts, 65 (MHRA, 2019)
Humphrey, Paul, Santería, Vodou and Resistance in Caribbean Literature: Daughters of the Spirits, Studies in Hispanic and Lusophone Cultures, 12 (Legenda, 2019)
Louth, Charlie, and Patrick McGuinness (eds), Gravity and Grace: Essays for Roger Pearson (Legenda, 2019)
Francisci, Enza De, A 'New' Woman in Verga and Pirandello: From Page to Stage, Italian Perspectives, 40 (Legenda, 2018)
McCarthy-Rechowicz, Matthew, Franz Grillparzer’s Dramatic Heroines: Theatre and Women’s Emancipation in Nineteenth-Century Austria, Germanic Literatures, 1 (Legenda, 2018)
Cory-Wright, Susana, Maud Beerbohm Tree: Lady of the Stage (Legenda, 2018)
Dove, Richard, Foreign Parts: German and Austrian Actors on the British Stage 1933-1960, Germanic Literatures, 15 (Legenda, 2017)
Darlow, Mark (ed.), Michel-Jean Sedaine: Théâtre de la Révolution, Critical Texts, 63 (MHRA, 2017)
Goodman, Jessica (ed.), Commemorating Mirabeau: Mirabeau aux Champs-Elysées and other texts, Critical Texts, 58 (MHRA, 2017)
Prest, Julia (ed.), Les Veuves créoles, Critical Texts, 34 (MHRA, 2017)
Ros, Xon de, and Daniela Omlor (eds), The Cultural Legacy of María Zambrano, Studies in Hispanic and Lusophone Cultures, 24 (Legenda, 2017)
Perazzolo, Paola (ed.), Gabriel-Marie Legouvé, La Mort d'Abel, Critical Texts, 61 (MHRA, 2016)
Bridgham, Fred (trans.), Georg Kaiser, After Expressionism: Five Plays, New Translations, 11 (MHRA, 2016)
Connon, Derek (ed.), Alexis Piron, Gustave-Wasa, Critical Texts, 57 (MHRA, 2016)
Whiteley, Giles, Oscar Wilde and the Simulacrum: The Truth of Masks, Studies In Comparative Literature, 35 (Legenda, 2015)
Dunkley, John (ed.), Michel-Jean Sedaine: Maillard, ou Paris sauvé et Raimond V, comte de Toulouse, Phoenix, 8 (MHRA, 2015)
Fuller, Amy, Between Two Worlds: The autos sacramentales of Sor Juana Inés de la Cruz, MHRA Texts and Dissertations, 100 (MHRA, 2015)
Earle, T. F., and Catarina Fouto (eds), The Reinvention of Theatre in Sixteenth-Century Europe: Traditions, Texts and Performance (Legenda, 2015)
Santis, Vincenzo De (ed.), Christophe Colomb par Népomucène Louis Lemercier, Phoenix, 7 (MHRA, 2015)
Fiddler, Allyson, and Karen Jürs-Munby (eds), Elfriede Jelinek in the Arena: Sport, Cultural Understanding and Translation to Page and Stage (= Austrian Studies, 22 (2014))
Wehling-Giorgi, Katrin, Gadda and Beckett: Storytelling, Subjectivity and Fracture, Italian Perspectives, 29 (Legenda, 2014)
Connors, Logan J. (ed.), Le Siège de Calais by Pierre-Laurent De Belloy, Phoenix, 6 (MHRA, 2014)
Noonan, Mary, Echo's Voice: The Theatres of Sarraute, Duras, Cixous and Renaude, Research Monographs in French Studies, 36 (Legenda, 2014)
Bardzińska, Joanna, El camino inverso: del cine al teatro: La vida en un hilo, de Edgar Neville y Mi adorado Juan, de Miguel Mihura, MHRA Texts and Dissertations, 91 (MHRA, 2014)
Loughnane, Rory, Andrew J. Power, and Peter Sillitoe (eds), Caroline Literature (= Yearbook of English Studies, 44.1 (2014))
Bowie, Malcolm, Selected Essays of Malcolm Bowie II: Song Man (Legenda, 2013)
Alonso, Cláudia Pazos, and Stephen Parkinson, Reading Literature in Portuguese: Commentaries in Honour of Tom Earle (Legenda, 2013)
Fischer, Donatella (ed.), The Tradition of the Actor-Author in Italian Theatre, Italian Perspectives, 27 (Legenda, 2013)
Hostiou, Jeanne-Marie (ed.), Baron, Le Rendez-vous des Tuileries, ou Le Coquet trompé, Phoenix, 5 (MHRA, 2013)
Shoemaker, Peter William (ed.), Les Costeaux, ou les marquis frians, by Jean Donneau de Visé, Critical Texts, 31 (MHRA, 2013)
Chirumbolo, Paolo, and John Picchione (eds), Edoardo Sanguineti: Literature, Ideology and the Avant-Garde, Italian Perspectives, 26 (Legenda, 2013)
Henry, Melanie, The Signifying Self: Cervantine Drama as Counter-Perspective Aesthetic, MHRA Texts and Dissertations, 83 (MHRA, 2013)