Andrews, Richard, Classical Comedy 1508-1786: A Legacy from Italy and France, Italian Perspectives, 55 (Legenda, 2022)

Boyd, Jade, The Experience of Colour in Lorca's Theatre, Studies in Hispanic and Lusophone Cultures, 54 (Legenda, 2022)

Connon, Derek (ed.), Alexis Piron, Le Claperman and L’Âne d’or, Critical Texts, 84 (MHRA, 2022)

García, Miguel, Queering Lorca’s Duende: Desire, Death, Intermediality, Studies in Hispanic and Lusophone Cultures, 49 (Legenda, 2022)

Goodman, Jessica (ed.), Last Scene of All: Representing Death on the Western Stage (Legenda, 2022)

Li, Lin, Residual Figuration in Samuel Beckett and Alberto Giacometti, Studies In Comparative Literature, 53 (Legenda, 2022)

Rayfield, Lucy, Poetics, Performance and Politics in French and Italian Renaissance Comedy, Transcript, 18 (Legenda, 2022)

Stevens, Sophie, Uruguayan Theatre in Translation: Theory and Practice, Transcript, 15 (Legenda, 2022)