| Series | Extent | Year | Author | Title |
| SHLC 20 | — | 2019 | Elizabeth Ramírez-Soto | (Un)veiling Bodies |
| MI 12 | — | 2022 | Tom Cuthbertson | Autobiographical Reenactment in French and Belgian Film |
| MI 8 | — | 2017 | Calum Watt | Blanchot and the Moving Image |
| GL 10 | — | 2016 | Stephanie Bird | Comedy and Trauma in Germany and Austria after 1945 |
| TD 91 | — | 2014 | Joanna Bardzińska | El camino inverso: del cine al teatro |
| SHLC 18 | — | 2021 | Mar Diestro-Dópido | Film Festivals |
| RMFS 49 | — | 2018 | Maria Flood | France, Algeria and the Moving Image |
| SICL 40 | — | 2022 | Georgia Panteli | From Puppet to Cyborg |
| MI 13 | — | 2021 | Alice Blackhurst | Luxury, Sensation and the Moving Image |
| VC 1 | — | 2021 | Paul Julian Smith | Reimagining History in Contemporary Spanish Media |
| SHLC 13 | — | 2017 | Benedict Hoff | Reprojecting the City |
| TD 77 | — | 2011 | Paul Melo e Castro | Shades of Grey: 1960s Lisbon in Novel, Film and Photobook |
| MI 7 | — | 2018 | Patrick ffrench | Thinking Cinema with Proust |
| T 3 | — | 2020 | Kate Griffiths | Zola and the Art of Television |