SeriesExtentYearAuthorTitle
SHLC 20—2019Elizabeth Ramírez-Soto(Un)veiling Bodies
MI 12206pp2022Tom CuthbertsonAutobiographical Reenactment in French and Belgian Film
MI 8—2017Calum WattBlanchot and the Moving Image
IP 30236pp2014Laura RoratoCaravaggio in Film and Literature
MI 2188pp2012Laura McMahonCinema and Contact
MI 3—3000Georgina EvansCinema's Inter-Sensory Encounters
GL 10240pp2016Stephanie BirdComedy and Trauma in Germany and Austria after 1945
TD 91—2014Joanna BardzińskaEl camino inverso: del cine al teatro
LGS —2009Kate GriffithsEmile Zola and the Artistry of Adaptation
SHLC 18240pp2021Mar Diestro-DópidoFilm Festivals
RMFS 49—2018Maria FloodFrance, Algeria and the Moving Image
SICL 40178pp2022Georgia PanteliFrom Puppet to Cyborg
SHLC 55—3000Delphi MayHybrid Acts
VC 6—2024Clodagh Brook, Florian Mussgnug,
Giuliana Pieri		Intermedia in Italy
MI 13—2021Alice BlackhurstLuxury, Sensation and the Moving Image
RMFS 7160pp2000Emma WilsonMemory and Survival
IP 35186pp2016Emanuela PattiPasolini after Dante
LGS 196pp2002Linda RentonPinter and the Object of Desire
RMFS 41135pp2014Cécile BishopPostcolonial Criticism and Representations of African Dictatorship
VC 1142pp2021Paul Julian SmithReimagining History in Contemporary Spanish Media
SHLC 13—2017Benedict HoffReprojecting the City
MI 10—2024Stephan Hilpert,
Andrew J. Webber		Screening Work
RMFS 20112pp2006Sarah CooperSelfless Cinema?
TD 77180pp2011Paul Melo e CastroShades of Grey: 1960s Lisbon in Novel, Film and Photobook
MI 1176pp2012Paul Julian SmithSpanish Practices