Published January 1972
Voltaire's Disciple: Jean François de La Harpe
Christopher Todd
MHRA Texts and Dissertations 7
Published January 1975
Bertolt Brecht's Adaptations for the Berliner Ensemble
Arrigo Subiotto
MHRA Texts and Dissertations 8
Published January 1979
The Realism of Luigi Capuana: Theory and Practice in the Development of Late Nineteenth-Century Italian Realism
Judith Davies
MHRA Texts and Dissertations 13
Published January 1982
Georg Büchner's 'Dantons Tod': A Reappraisal
Dorothy James
MHRA Texts and Dissertations 16
Published January 1985
Character, Ideology, and Symbolism in the Plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht
M. Helena Gonçalves da Silva
MHRA Texts and Dissertations 21
Published January 1991
A Critical, Old-Spelling Edition of the Birth of Merlin (Q1662)
Joanna Udall
MHRA Texts and Dissertations 31
Published January 1997
Reception and Renewal in Modern Spanish Theatre: 1939-1963
John London
MHRA Texts and Dissertations 45
Published January 1998
Welttheater: Hofmannsthal, Richard von Kralik, and the Revival of Catholic Drama in Austria, 1890-1934
Judith Beniston
Bithell Series of Dissertations 23 / MHRA Texts and Dissertations 46
Published January 2000
Divided Loyalties: East German Writers and the Politics of German Division 1945-1953
Peter Davies
Bithell Series of Dissertations 24 / MHRA Texts and Dissertations 49
Published May 2012
Private Lives and Collective Destinies: Class, Nation and the Folk in the Works of Gustav Freytag (1816-1895)
Benedict Schofield
Bithell Series of Dissertations 37 / MHRA Texts and Dissertations 81
- ‘Schofield’s unprecedented and skillful incorporation of the author’s entire oeuvre has made a real and lasting contribution to nineteenth-century scholarship.’ — Alyssa Howards, German Quarterly 86, 2013, 489-90
- ‘Represents a valuable contribution to the field and enhances our understanding of Freytag’s strategy and agenda in no small measure.’ — Florian Krobb, Modern Language Review 109, 2014, 556-58 (full text online)
- ‘This is the only comprehensive work on Freytag that I know of, at least in our time. It is thoroughly researched... The criticism is exacting and precise.’ — Jeffrey L. Sammons, Monatshefte 106, 2014, 312-15
Published February 2013
The Signifying Self: Cervantine Drama as Counter-Perspective Aesthetic
Melanie Henry
MHRA Texts and Dissertations 83
Published May 2014
El camino inverso: del cine al teatro: La vida en un hilo, de Edgar Neville y Mi adorado Juan, de Miguel Mihura
Joanna Bardzińska
MHRA Texts and Dissertations 91
- ‘Bardzińska has provided the reader with a wealth of detail and the text will be of interest to scholars of the ‘otra generación’, and of value to those researching Neville, Mihura and/or their works created for screen and stage, as well as those interested in approaches to reverse adaptation more broadly.’ — Rhiannon McGlade, Bulletin of Spanish Studies 94, 2017, 1246-47
Published June 2015
Between Two Worlds: The autos sacramentales of Sor Juana Inés de la Cruz
Amy Fuller
MHRA Texts and Dissertations 100