| Series | Extent | Year | Author | Title |
| MI 14 | — | 2023 | ed Martin Brady, Helen Hughes | The Cinema of Danièle Huillet and Jean-Marie Straub |
| SICL 40 | 178pp | 2022 | Georgia Panteli | From Puppet to Cyborg |
| MI 12 | — | 2022 | Tom Cuthbertson | Autobiographical Reenactment in French and Belgian Film |
| MI 11 | 248pp | 2022 | ed Ben Bollig, David M. J. Wood | The Poetry-Film Nexus in Latin America |
| VC 1 | 142pp | 2021 | Paul Julian Smith | Reimagining History in Contemporary Spanish Media |
| SE 13 | 252pp | 2021 | Keith Reader | Across Texts |
| MI 13 | 198pp | 2021 | Alice Blackhurst | Luxury, Sensation and the Moving Image |
| SHLC 18 | — | 2021 | Mar Diestro-Dópido | Film Festivals |
| SE 9 | — | 2020 | David Trotter | Brute Meaning |
| IP 44 | 282pp | 2019 | ed Guido Bonsaver, Alessandro Carlucci, Matthew Reza | Italy and the USA |
| SHLC 20 | — | 2019 | Elizabeth Ramírez-Soto | (Un)veiling Bodies |
| MI 9 | 184pp | 2019 | ed Marion Schmid, Emma Wilson | Chantal Akerman |
| RMFS 49 | 162pp | 2018 | Maria Flood | France, Algeria and the Moving Image |
| MI 8 | 198pp | 2017 | Calum Watt | Blanchot and the Moving Image |
| SHLC 13 | — | 2017 | Benedict Hoff | Reprojecting the City |
| MI 6 | — | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
| GL 10 | 240pp | 2016 | Stephanie Bird | Comedy and Trauma in Germany and Austria after 1945 |
| IP 35 | — | 2016 | Emanuela Patti | Pasolini after Dante |
| MI 5 | 234pp | 2014 | ed Lizelle Bisschoff, David Murphy | Africa's Lost Classics |
| RMFS 41 | 135pp | 2014 | Cécile Bishop | Postcolonial Criticism and Representations of African Dictatorship |
| TD 91 | 372pp | 2014 | Joanna Bardzińska | El camino inverso: del cine al teatro |
| MI 4 | 240pp | 2013 | ed Axel Bangert, Robert S. C. Gordon, Libby Saxton | Holocaust Intersections |
| MI 2 | 188pp | 2012 | Laura McMahon | Cinema and Contact |
| MI 1 | 176pp | 2012 | Paul Julian Smith | Spanish Practices |
| LGS | 162pp | 2012 | ed Margaret Atack, Diana Holmes, Diana Knight, Judith Still | Women, Genre and Circumstance |