Series | Extent | Year | Author | Title |
SHLC 59 | — | 2024 | Ramón Espejo | The Catalonian Journey of American Drama 1909-2000 |
SHLC 52 | — | 2023 | Karunika Kardak | Memory, Identity and the Historical Novel in Uruguay |
RMFS 50 | — | 2023 | Mairéad Hanrahan | Genet's Genres of Politics |
MI 14 | — | 2023 | ed Martin Brady, Helen Hughes | The Cinema of Danièle Huillet and Jean-Marie Straub |
RMFS 69 | — | 2023 | Edward Welch | Making Space in Post-War France |
T 29 | — | 2023 | ed Alison James, Akihiro Kubo,, Françoise Lavocat | Can Fiction Change the World? |
T 19 | — | 2022 | ed Mohamed-Salah Omri, Philippe Roussin | Literature, Democracy and Transitional Justice |
RMFS 67 | — | 2022 | Layla Roesler | Essay as Enabler in Yves Bonnefoy |
RMFS 64 | — | 2022 | Helena Duffy | The Holocaust in French Postmodern Fiction |
SE 10 | — | 2022 | Peter Dayan | For the Love of Art |
LGS | — | 2022 | Georgina Barker | SPQR in the USSR |
T 15 | — | 2022 | Sophie Stevens | Uruguayan Theatre in Translation |
SHLC 58 | — | 2022 | Dorothée Boulanger | Fiction as History |
T 20 | — | 2022 | Marta Arnaldi | The Diasporic Canon |
T 14 | — | 2022 | ed Adriana X. Jacobs, Claire Williams | After Clarice |
LGS | — | 2022 | Adam Watt | Labours of Attention |
IP 51 | — | 2022 | Alessandra Diazzi | Psychoanalysis, Ideology and Commitment in Italy 1945-1975 |
SICL 40 | — | 2022 | Georgia Panteli | From Puppet to Cyborg |
MI 12 | — | 2022 | Tom Cuthbertson | Autobiographical Reenactment in French and Belgian Film |
SHLC 53 | — | 2022 | Rachel Elizabeth Robinson | Visual and Plastic Poetics |
MI 11 | — | 2022 | ed Ben Bollig, David M. J. Wood | The Poetry-Film Nexus in Latin America |
T 21 | — | 2021 | Alice Loda | The Translingual Verse |
VC 1 | — | 2021 | Paul Julian Smith | Reimagining History in Contemporary Spanish Media |
SHLC 46 | — | 2021 | Brigid Lynch | Horizontalism and Historicity in Argentina |
SE 13 | — | 2021 | Keith Reader | Across Texts |