Series | Extent | Year | Author | Title |
T 2 | 192pp | 2015 | Armelle Blin-Rolland | Adapted Voices |
TD 36 | 168pp | 1994 | Shirley A. Jordan | The Art Criticism of Francis Ponge |
RMFS 24 | 160pp | 2007 | Diana Knight | Balzac and the Model of Painting |
RMFS 45 | 132pp | 2015 | Timothy Raser | Baudelaire and Photography |
SICL 56 | 204pp | 2021 | Elisa Segnini | Fragments, Genius and Madness |
SICL 5 | 214pp | 2000 | Nigel Saint | Marguerite Yourcenar |
RMFS 48 | — | 2016 | Léa Vuong | Pascal Quignard |
LGS | 284pp | 2000 | Ian James | Pierre Klossowski |
LGS | 222pp | 2011 | Áine Larkin | Proust Writing Photography |
LGS | 206pp | 2012 | Katja Haustein | Regarding Lost Time |
SICL 53 | — | 2022 | Lin Li | Residual Figuration in Samuel Beckett and Alberto Giacometti |
SICL 22 | 196pp | 2010 | Shun-Liang Chao | Rethinking the Concept of the Grotesque |
SICL 43 | — | 2017 | Robert K. Weninger | Sublime Conclusions |
LGS | 216pp | 2007 | James Kearns | Théophile Gautier, Orator to the Artists |
RMFS 68 | 246pp | 2022 | Robert Lethbridge | Zola's Painters |