Adapted Voices: Transpositions of Céline’s Voyage au bout de la nuit and Queneau’s Zazie dans le métro
Armelle Blin-Rolland
Transcript 2•22 July 2015

The Art Criticism of Francis Ponge
Shirley A. Jordan
MHRA Texts and Dissertations 36•1 January 1994

Balzac and the Model of Painting: Artist Stories in La Comédie humaine
Diana Knight
Research Monographs in French Studies 24•14 December 2007

Baudelaire and Photography: Finding the Painter of Modern Life
Timothy Raser
Research Monographs in French Studies 45•9 October 2015

Fragments, Genius and Madness: Masks and Mask-Making in the fin-de-siècle Imagination
Elisa Segnini
Studies In Comparative Literature 56•26 July 2021

Marguerite Yourcenar: Reading the Visual
Nigel Saint
Studies In Comparative Literature 5•1 November 2000

Pascal Quignard: Towards the Vanishing Point
Léa Vuong
Research Monographs in French Studies 48•19 December 2016

Pierre Klossowski: The Persistence of a Name
Ian James
Legenda (General Series) •1 July 2000

Proust Writing Photography: Fixing the Fugitive in À la recherche du temps perdu
Áine Larkin
Legenda (General Series) •26 August 2011

Regarding Lost Time: Photography, Identity, and Affect in Proust, Benjamin, and Barthes
Katja Haustein
Legenda (General Series) •30 January 2012

Residual Figuration in Samuel Beckett and Alberto Giacometti
Lin Li
Studies In Comparative Literature 53•7 June 2022

Rethinking the Concept of the Grotesque: Crashaw, Baudelaire, Magritte
Shun-Liang Chao
Studies In Comparative Literature 22•12 April 2010

Sublime Conclusions: Last Man Narratives from Apocalypse to Death of God
Robert K. Weninger
Studies In Comparative Literature 43•29 September 2017

Théophile Gautier, Orator to the Artists: Art Journalism of the Second Republic
James Kearns
Legenda (General Series) •14 November 2007

Zola's Painters
Robert Lethbridge
Research Monographs in French Studies 68•7 June 2022