Franz Grillparzer’s Dramatic Heroines: Theatre and Women’s Emancipation in Nineteenth-Century Austria
Matthew McCarthy-Rechowicz
Germanic Literatures 1•25 May 2018
E.T.A. Hoffmann’s Orient: Romantic Aesthetics and the German Imagination
Joanna Neilly
Germanic Literatures 11•19 December 2016
- ‘A thorough and innovative monograph... E.T.A. Hoffmann’s Orient is a well-written study that serves an indispensable function as a comprehensive and careful survey of the theme of orientalism in Hoffmann’s works. Neilly is ready to criticize Hoffmann’s orientalism when necessary, but what is more important, she is also receptive to those aspects of Hoffmann that cannot be reduced to orientalist discourse or are even critical of orientalism.’ — Asko Nivala, European Romantic Review August 2018 (full text online)
- ‘The book is written in a clear, crisp style... It is rich, dense, and full of insight and overall an important and original addition not only to the body of Hoffmann scholarship; it also adds an important facet to our understanding of the Romantic preoccupation with the Orient.’ — Juergen Barkhoff, Modern Language Review 114.4, October 2019, 886-87 (full text online)
- ‘Hoffmann has until now been presented as something of a peripheral Orientalist, with more attention typically being paid to Schlegel and Novalis. Neilly’s searching study serves as a thoughtful corrective, revealing across a series of close readings the range and variety of Eastern motifs that are implied and appropriated in Hoffmann’s fictions, or—as is most often, and most intriguingly, the case—critically reflected upon, in a way that turns his ironic mirror back onto German aesthetics and indeed onto the notion of the fixed self.’ — Polly Dickson, German Studies Review 43.3, October 2020, 607-10 (full text online)
The Law of Poetry: Studies in Hölderlin’s Poetics
Charles Lewis
Germanic Literatures 18•23 September 2019
- ‘[D]as zweite Kapitel [erschließt] Neuland: Dass Kleanthes’ Hymne an Zeus für die Eigentümlichkeit des anrufenden Gestus der Ode Natur und Kunst formativ gewesen sein könnte, stellt einen eindrücklichen Befund dar (33, 42 f., 55). Aus den produktiven Differenzen zur Hymne leitet Lewis anschaulich jene Kritik her, die Hölderlins poetologische Ode vollzieht, wenn sie die Anbetung Jupiters an dessen Eingedenken seiner Herkunft knüpft (43 f.). ... Lewis’ Studie beleuchtet durch innovative Ansätze die selbstreflexive Gestaltung poetischer Formen, wie Hölderlins Werk sie zeigt, und nähert sich so dem im Titel exponierten ‘poetischen Gesetz’.’ — Lisa Memmeler, Hölderlin-Jahrbuch 42, 2021, 325-328
- ‘The achievements of the first part of Lewis’s monograph are complemented by a second part consisting of a new translation into English of both Hölderlin’s “Sophocles-Anmerkungen” and his fragment on “[d]ie Bedeutung der Tragödien,” along with extensive notes contextualizing Hölderlin’s interpretive gestures within his broader œuvre as well as within current debates in classical philology. In this respect, Lewis’s translations mediate not only between Hölderlin’s German and modern English, but also between a poetic commentary from the early nineteenth century and contemporary scholarship, continuing the “poetic logic” that he traces in Hölderlin, whose precise formulations also open to other voices before and after “his” time. The proximity of Lewis’s English rendition to Hölderlin’s German, as well as his erudite commentaries, will also make his translations a resource for future scholars and readers of Hölderlin.’ — Kristina Mendicino, Monatshefte 113.4, 2021, 688-691