| Series | Extent | Year | Author | Title |
| GL 9 | — | 2016 | Tara Beaney | Metamorphosis in Modern German Literature |
| GL 10 | — | 2016 | Stephanie Bird | Comedy and Trauma in Germany and Austria after 1945 |
| GL 11 | — | 2016 | Joanna Neilly | E.T.A. Hoffmann’s Orient |
| GL 12 | — | 2016 | Judit Gera | Structures of Subjugation in Dutch Literature |
| GL 13 | — | 2017 | Mads Bunch | Isak Dinesen Reading Søren Kierkegaard |
| GL 17 | — | 2018 | Anthony Grenville | Encounters with Albion |
| GL 19 | — | 2019 | John Craig-Sharples | Georg Hermann |
| GL 21 | — | 2020 | ed Inge Arteel, Lars Bernaerts,
Olivier Couder | Confrontational Readings |
| GL 23 | — | 2020 | Alexandra Lloyd | Childhood, Memory, and the Nation |
| GL 24 | — | 2021 | Anja Tröger | Affective Spaces |
| IP 38 | — | 2018 | Marianna Deganutti | Fulvio Tomizza |
| IP 40 | — | 2018 | Enza De Francisci | A 'New' Woman in Verga and Pirandello |
| IP 42 | — | 2019 | Kate Elizabeth Willman | Unidentified Narrative Objects and the New Italian Epic |
| IP 44 | — | 2019 | ed Guido Bonsaver, Alessandro Carlucci,
Matthew Reza | Italy and the USA |
| IP 45 | — | 2021 | Marzia Beltrami | Spatial Plots |
| LGS | — | 2019 | Christie Margrave | Writing the Landscape |
| LGS | — | 2017 | ed Guido Bonsaver, Brian Richardson,,
Giuseppe Stellardi | Cultural Reception, Translation and Transformation from Medieval to Modern Italy |
| LGS | — | 2018 | Claire Whitehead | The Poetics of Early Russian Crime Fiction 1860-1917 |
| LGS | — | 2017 | Philippa Lewis | Intimacy and Distance |
| LGS | — | 2018 | Kate Rees | The Journalist in the French Fin-de-siècle Novel |
| LGS | — | 2019 | ed Oliver Davis,
Colin Davis | Freedom and the Subject of Theory |
| LGS | — | 2021 | Margarita Vaysman | Self-Conscious Realism |
| RMFS 38 | — | 2017 | Shirley Jordan | Marie NDiaye |
| RMFS 43 | — | 2016 | Katherine Shingler | The French Art Novel 1900-1930 |
| RMFS 46 | — | 2016 | Hannah Scott | Broken Glass, Broken World |