| Series | Extent | Year | Author | Title |
| IP 40 | — | 2018 | Enza De Francisci | A 'New' Woman in Verga and Pirandello |
| T 1 | — | 2020 | ed Ann Lewis,
Silke Arnold-de Simine | Adapting the Canon |
| GL 24 | — | 2021 | Anja Tröger | Affective Spaces |
| SHLC 27 | — | 2019 | ed Stephen Boyd, Trudi L. Darby,
Terence O'Reilly | The Art of Cervantes in Don Quixote |
| RMFS 52 | — | 2016 | Ewa Szypula | Balzac's Love Letters |
| SHLC 26 | — | 2017 | Katharine Murphy | Bodies of Disorder |
| RMFS 46 | — | 2016 | Hannah Scott | Broken Glass, Broken World |
| SE 9 | — | 2020 | David Trotter | Brute Meaning |
| SHLC 16 | — | 2020 | ed Jordi Larios,
Montserrat Lunati | Catalan Narrative 1875-2015 |
| GL 23 | — | 2020 | Alexandra Lloyd | Childhood, Memory, and the Nation |
| GL 10 | — | 2016 | Stephanie Bird | Comedy and Trauma in Germany and Austria after 1945 |
| GL 21 | — | 2020 | ed Inge Arteel, Lars Bernaerts,
Olivier Couder | Confrontational Readings |
| SE 12 | — | 2020 | Judie Newman | Contemporary Fictions |
| SHLC 39 | — | 2020 | Catherine Barbour | Contemporary Galician Women Writers |
| SHLC 25 | — | 2019 | Nicholas Roberts | Cortázar and Music |
| LGS | — | 2017 | ed Guido Bonsaver, Brian Richardson,,
Giuseppe Stellardi | Cultural Reception, Translation and Transformation from Medieval to Modern Italy |
| SICL 49 | — | 2019 | ed Birte Christ,
Ève Morisi | Death Sentences |
| SICL 47 | — | 2019 | Olga G. Voronina | Depicting the Divine |
| GL 11 | — | 2016 | Joanna Neilly | E.T.A. Hoffmann’s Orient |
| GL 17 | — | 2018 | Anthony Grenville | Encounters with Albion |
| SE 1 | — | 2017 | Ritchie Robertson | Enlightenment and Religion in German and Austrian Literature |
| T 7 | — | 2018 | ed Johannes D. Kaminski | Erotic Literature in Adaptation and Translation |
| SHLC 33 | — | 2019 | Carla Almanza-Gálvez | Form and Reform in Eighteenth-Century Spain |
| SICL 56 | — | 2021 | Elisa Segnini | Fragments, Genius and Madness |
| SHLC 35 | — | 2020 | Cláudia Pazos Alonso | Francisca Wood and Nineteenth-Century Periodical Culture |