Three Cities of Yiddish: St Petersburg, Warsaw and Moscow
Edited by Gennady Estraikh and Mikhail Krutikov
Studies In Yiddish 153 April 2017

  • ‘The British book series “Studies in Yiddish,” published by Legenda (and known among academics as “the Legenda series”), is in my estimation the most important venue for contemporary research on Yiddish literature and culture in the world today... Krutikov deals with the travelogue Hoyptshtet (Capital Cities) of 1934, written by Der Nister (“The Hidden One”), one of the greatest Soviet-Yiddish writers. The German professor Sabine Koller also contributes an essay dedicated to Der Nister’s book, which records his impressions of Leningrad, Moscow, and Kharkov during the 1920s. It’s a real delight to see so much attention is devoted to this book, which has been relatively unappreciated in previous considerations of Der Nister.’ — Marc Caplan, Forward 2 August 2017
  • ‘In “Moscow Threefold: Olgin, Bergelson, Benjamin,” Murav elegantly analyzes depictions of Moscow in the mid-1920s by three writers. Emphasizing Moscow as a Jewish “space of contiguity,” Murav addresses no less the relating of Moscow to time... If Olgin’s Moscow “has achieved ... its future,” the works of Benjamin and Bergelson show more ambivalence, and Murav is especially vivid on Bergelson’s vision of destruction likely to precede any possible redemption, which may end up permanently deferred.’ — Jeffrey A. Grossman, Slavic Review Spring 2019, 293-95

Women, Men and Books: Issues of Gender in Yiddish Discourse
Edited by Gennady Estraikh and Mikhail Krutikov
Studies In Yiddish 1630 December 2019

  • ‘The book presents the most recent research on the subject of gender in Yiddish literature and culture and paints a far more complex picture of gender roles in Eastern European Jewish life than is portrayed in traditional sources... As gender and sexuality are increasingly being understood as fluid, rather than determined categories, this kind of research is extremely significant for those of us who still speak, write and create in Yiddish, and want to hold on to it as a living language, capable of expressing all of our experiences.’ — Annabel Cohen, Forward 23 November 2020