| Series | Extent | Year | Author | Title |
| LGS | 204pp | 2017 | ed Adrian Armstrong, Elsa Strietman | The Multilingual Muse |
| RMFS 54 | 180pp | 2018 | Sam Bootle | Laforgue, Philosophy, and Ideas of Otherness |
| SE 4 | — | 2018 | Celia Britton | Perspectives on Culture and Politics in the French Antilles |
| LGS | 230pp | 2017 | ed Ardis Butterfield, Henry Hope, Pauline Souleau | Performing Medieval Text |
| LGS | — | 2017 | ed Jane Desmarais, Alice Condé | Decadence and the Senses |
| RMFS 53 | — | 2017 | Huw Grange | Saints and Monsters in Medieval French and Occitan Literature |
| RMFS 59 | — | 2020 | Peter Haidu, edited by Matilda Tomaryn Bruckner | The Philomena of Chrétien the Jew |
| T 12 | 154pp | 2019 | Julia Caterina Hartley | Reading Dante and Proust by Analogy |
| RMFS 58 | 184pp | 2020 | Ruth Hemus | The Poetry of Céline Arnauld |
| SICL 45 | 270pp | 2019 | Christian Jany | Scenographies of Perception |
| RMFS 63 | 184pp | 2021 | Dorothy Kelly | The Living Death of Modernity |
| LGS | 240pp | 2019 | ed Charlie Louth, Patrick McGuinness | Gravity and Grace |
| T 24 | 156pp | 2021 | David McCallam | André Chénier |
| LGS | — | 2017 | ed Patrick McGuinness, Emily McLaughlin | The Made and the Found |
| T 17 | — | 2020 | Jamie McKendrick | The Foreign Connection |
| RMFS 44 | — | 2018 | Roger Pensom | Accent, Rhythm and Meaning in French Verse |
| RMFS 65 | 202pp | 2021 | Daisy Sainsbury | Contemporary French Poetry |
| SE 2 | 398pp | 2017 | Michael Sheringham | Perpetual Motion |