| Series | Extent | Year | Author | Title |
| LGS | — | 2017 | ed Jane Desmarais,
Alice Condé | Decadence and the Senses |
| LGS | — | 2016 | ed Neil Kenny, Richard Scholar,
Wes Williams | Montaigne in Transit |
| LGS | — | 2017 | ed Ardis Butterfield, Henry Hope,
Pauline Souleau | Performing Medieval Text |
| LGS | — | 2017 | ed Patrick McGuinness,
Emily McLaughlin | The Made and the Found |
| LGS | — | 2019 | Christie Margrave | Writing the Landscape |
| LGS | — | 2017 | Philippa Lewis | Intimacy and Distance |
| LGS | — | 2017 | ed Adrian Armstrong,
Elsa Strietman | The Multilingual Muse |
| LGS | — | 2018 | Kate Rees | The Journalist in the French Fin-de-siècle Novel |
| LGS | — | 2019 | ed Oliver Davis,
Colin Davis | Freedom and the Subject of Theory |
| LGS | — | 2019 | ed Charlie Louth,
Patrick McGuinness | Gravity and Grace |
| MI 6 | — | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
| MI 7 | — | 2018 | Patrick ffrench | Thinking Cinema with Proust |
| MI 8 | — | 2017 | Calum Watt | Blanchot and the Moving Image |
| MI 9 | — | 2019 | ed Marion Schmid,
Emma Wilson | Chantal Akerman |
| RMFS 38 | — | 2017 | Shirley Jordan | Marie NDiaye |
| RMFS 43 | — | 2016 | Katherine Shingler | The French Art Novel 1900-1930 |
| RMFS 44 | — | 2018 | Roger Pensom | Accent, Rhythm and Meaning in French Verse |
| RMFS 46 | — | 2016 | Hannah Scott | Broken Glass, Broken World |
| RMFS 47 | — | 2016 | Damien Mooney | Southern Regional French |
| RMFS 48 | — | 2016 | Léa Vuong | Pascal Quignard |
| RMFS 49 | — | 2018 | Maria Flood | France, Algeria and the Moving Image |
| RMFS 51 | — | 2020 | Margaret Atack | Jean-François Vilar |
| RMFS 52 | — | 2016 | Ewa Szypula | Balzac's Love Letters |
| RMFS 53 | — | 2017 | Huw Grange | Saints and Monsters in Medieval French and Occitan Literature |
| RMFS 54 | — | 2018 | Sam Bootle | Laforgue, Philosophy, and Ideas of Otherness |