| Series | Extent | Year | Author | Title |
| RMFS 44 | — | 2018 | Roger Pensom | Accent, Rhythm and Meaning in French Verse |
| MI 6 | — | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
| T 24 | — | 2021 | David McCallam | André Chénier |
| RMFS 52 | — | 2016 | Ewa Szypula | Balzac's Love Letters |
| MI 8 | — | 2017 | Calum Watt | Blanchot and the Moving Image |
| RMFS 46 | — | 2016 | Hannah Scott | Broken Glass, Broken World |
| MI 9 | — | 2019 | ed Marion Schmid,
Emma Wilson | Chantal Akerman |
| RMFS 65 | — | 2021 | Daisy Sainsbury | Contemporary French Poetry |
| LGS | — | 2017 | ed Jane Desmarais,
Alice Condé | Decadence and the Senses |
| T 7 | — | 2018 | ed Johannes D. Kaminski | Erotic Literature in Adaptation and Translation |
| T 13 | — | 2020 | Suzanne Jones | The First English Translations of Molière |
| T 17 | — | 2020 | Jamie McKendrick | The Foreign Connection |
| SICL 56 | — | 2021 | Elisa Segnini | Fragments, Genius and Madness |
| RMFS 49 | — | 2018 | Maria Flood | France, Algeria and the Moving Image |
| LGS | — | 2019 | ed Oliver Davis,
Colin Davis | Freedom and the Subject of Theory |
| RMFS 43 | — | 2016 | Katherine Shingler | The French Art Novel 1900-1930 |
| LGS | — | 2019 | ed Charlie Louth,
Patrick McGuinness | Gravity and Grace |
| RMFS 56 | — | 2019 | Kathryn Robson | I Suffer, Therefore I Am |
| LGS | — | 2017 | Philippa Lewis | Intimacy and Distance |
| RMFS 51 | — | 2020 | Margaret Atack | Jean-François Vilar |
| LGS | — | 2018 | Kate Rees | The Journalist in the French Fin-de-siècle Novel |
| RMFS 54 | — | 2018 | Sam Bootle | Laforgue, Philosophy, and Ideas of Otherness |
| RMFS 62 | — | 2020 | Steven Wilson | The Language of Disease |
| RMFS 63 | — | 2021 | Dorothy Kelly | The Living Death of Modernity |
| RMFS 60 | — | 2020 | Ian Maclachlan | Louis-René des Forêts and Inner Autobiography |
| LGS | — | 2017 | ed Patrick McGuinness,
Emily McLaughlin | The Made and the Found |
| RMFS 38 | — | 2017 | Shirley Jordan | Marie NDiaye |
| T 6 | — | 2016 | Sara-Louise Cooper | Memory Across Borders |
| LGS | — | 2016 | ed Neil Kenny, Richard Scholar,
Wes Williams | Montaigne in Transit |
| LGS | — | 2017 | ed Adrian Armstrong,
Elsa Strietman | The Multilingual Muse |
| RMFS 48 | — | 2016 | Léa Vuong | Pascal Quignard |
| LGS | — | 2017 | ed Ardis Butterfield, Henry Hope,
Pauline Souleau | Performing Medieval Text |
| SE 2 | — | 2017 | Michael Sheringham | Perpetual Motion |
| SE 4 | — | 2018 | Celia Britton | Perspectives on Culture and Politics in the French Antilles |
| RMFS 58 | — | 2020 | Ruth Hemus | The Poetry of Céline Arnauld |
| T 12 | — | 2019 | Julia Caterina Hartley | Reading Dante and Proust by Analogy |
| RMFS 53 | — | 2017 | Huw Grange | Saints and Monsters in Medieval French and Occitan Literature |
| SHLC 12 | — | 2019 | Paul Humphrey | Santería, Vodou and Resistance in Caribbean Literature |
| SICL 45 | — | 2019 | Christian Jany | Scenographies of Perception |
| RMFS 47 | — | 2016 | Damien Mooney | Southern Regional French |
| SICL 43 | — | 2017 | Robert K. Weninger | Sublime Conclusions |
| RMFS 55 | — | 2019 | Victoria Turner | Theorizing Medieval Race |
| MI 7 | — | 2018 | Patrick ffrench | Thinking Cinema with Proust |
| LGS | — | 2019 | Christie Margrave | Writing the Landscape |
| RMFS 57 | — | 2020 | Rosalind Silvester | Ying Chen’s Fiction |
| T 3 | — | 2020 | Kate Griffiths | Zola and the Art of Television |
| RMFS 59 | — | 2020 | Peter Haidu, edited by Matilda Tomaryn Bruckner | The Philomena of Chrétien the Jew |