Series | Extent | Year | Author | Title |
GL 10 | — | 2016 | Stephanie Bird | Comedy and Trauma in Germany and Austria after 1945 |
GL 17 | — | 2018 | Anthony Grenville | Encounters with Albion |
GL 21 | — | 2020 | ed Inge Arteel, Lars Bernaerts, Olivier Couder | Confrontational Readings |
GL 24 | — | 2021 | Anja Tröger | Affective Spaces |
IP 38 | — | 2018 | Marianna Deganutti | Fulvio Tomizza |
IP 39 | — | 2018 | ed Lesley Caldwell, Fabio Camilletti | Rome |
IP 42 | — | 2019 | Kate Elizabeth Willman | Unidentified Narrative Objects and the New Italian Epic |
IP 44 | — | 2019 | ed Guido Bonsaver, Alessandro Carlucci, Matthew Reza | Italy and the USA |
IP 45 | — | 2021 | Marzia Beltrami | Spatial Plots |
LGS | — | 2017 | ed Patrick McGuinness, Emily McLaughlin | The Made and the Found |
LGS | — | 2017 | ed Guido Bonsaver, Brian Richardson,, Giuseppe Stellardi | Cultural Reception, Translation and Transformation from Medieval to Modern Italy |
LGS | — | 2019 | ed Oliver Davis, Colin Davis | Freedom and the Subject of Theory |
MI 6 | — | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
MI 8 | — | 2017 | Calum Watt | Blanchot and the Moving Image |
MI 9 | — | 2019 | ed Marion Schmid, Emma Wilson | Chantal Akerman |
RMFS 38 | — | 2017 | Shirley Jordan | Marie NDiaye |
RMFS 47 | — | 2016 | Damien Mooney | Southern Regional French |
RMFS 48 | — | 2016 | Léa Vuong | Pascal Quignard |
RMFS 49 | — | 2018 | Maria Flood | France, Algeria and the Moving Image |
RMFS 51 | — | 2020 | Margaret Atack | Jean-François Vilar |
RMFS 56 | — | 2019 | Kathryn Robson | I Suffer, Therefore I Am |
RMFS 57 | — | 2020 | Rosalind Silvester | Ying Chen’s Fiction |
RMFS 60 | — | 2020 | Ian Maclachlan | Louis-René des Forêts and Inner Autobiography |
RMFS 65 | — | 2021 | Daisy Sainsbury | Contemporary French Poetry |
SE 2 | — | 2017 | Michael Sheringham | Perpetual Motion |