Adapting the Canon: Mediation, Visualization, Interpretation
Edited by Ann Lewis and Silke Arnold-de Simine
Transcript 1•28 September 2020
Brute Meaning: Essays in Materialist Criticism from Dickens to Hitchcock
David Trotter
Selected Essays 9•28 September 2020
Catalan Narrative 1875-2015
Edited by Jordi Larios and Montserrat Lunati
Studies in Hispanic and Lusophone Cultures 16•28 September 2020
Childhood, Memory, and the Nation: Young Lives under Nazism in Contemporary German Culture
Alexandra Lloyd
Germanic Literatures 23•28 September 2020
Confrontational Readings: Literary Neo-Avant-Gardes in Dutch and German
Edited by Inge Arteel, Lars Bernaerts and Olivier Couder
Germanic Literatures 21•28 September 2020
Contemporary Fictions: Essays on American and Postcolonial Narratives
Judie Newman
Selected Essays 12•28 September 2020
Contemporary Galician Women Writers
Catherine Barbour
Studies in Hispanic and Lusophone Cultures 39•28 September 2020
Francisca Wood and Nineteenth-Century Periodical Culture: Pressing for Change
Cláudia Pazos Alonso
Studies in Hispanic and Lusophone Cultures 35•21 January 2020
Jean-François Vilar: Theatres Of Crime
Margaret Atack
Research Monographs in French Studies 51•28 September 2020
The Language of Disease: Writing Syphilis in Nineteenth-Century France
Steven Wilson
Research Monographs in French Studies 62•28 September 2020
Mary Shelley and Europe: Essays in Honour of Jean de Palacio
Edited by Antonella Braida
Studies In Comparative Literature 55•28 September 2020
Naturalism Against Nature: Kinship and Degeneracy in Fin-de-siècle Portugal and Brazil
David J. Bailey
Studies in Hispanic and Lusophone Cultures 48•21 January 2020
Twentieth-Century Sephardic Authors from the Former Yugoslavia: A Judeo-Spanish Tradition
Željko Jovanović
Studies in Hispanic and Lusophone Cultures 41•28 September 2020
Ying Chen’s Fiction: An Aesthetics of Non-Belonging
Rosalind Silvester
Research Monographs in French Studies 57•28 September 2020
Zola and the Art of Television: Adaptation, Recreation, Translation
Kate Griffiths
Transcript 3•28 September 2020