Published May 2017

Enlightenment and Religion in German and Austrian Literature
Ritchie Robertson
Selected Essays 1

  • ‘A tour de force in the study of German-speaking cultures with a range and depth that takes readers from the Classical period in the eighteenth century to twentieth-century Modernism... Here we are confronted with, or rather treated to [...] erudition, insight and unerring logic.’ — Carol Tully, Times Literary Supplement 23 January 2018
  • ‘Any ambitious colleagues wishing to uncover the secret behind Robertson’s talent for producing the appropriate formulation are again referred to his introductory remarks, in which he recalls having learnt to use a typewriter whose roller would only turn in one direction, making it impossible to go back and emend what had been written. The present volume of essays suggests that there could be no better method of training future scholars than by providing them with similarly challenging, character-building implements.’ — Osman Durrani, Modern Language Review 113.2, April 2018, 433-35 (full text online)

Published February 2018

Paul Celan’s Unfinished Poetics: Readings in the Sous-Oeuvre
Thomas C. Connolly
Germanic Literatures 16

  • ‘It would exceed the limits of this review to enter further into the many merits of Connolly’s monograph, from his impressive discoveries within an “oeuvre” so thoroughly examined as Celan’s, to the judiciousness of his writing... The “sous-oeuvre” that Connolly broaches can “never” be entirely disclosed: every disclosure leaves traces to be read otherwise. It is for this reason that Paul Celan’s Un nished Poetics: Readings in the Sous-Oeuvre calls for further readings, in every sense.’ — Kristina Mendicino, German Studies Review 42.2, May 2019, 402-404 (full text online)
  • ‘This book constitutes a refreshing approach to the work of Paul Celan... constitutes a sharp and compelling update to Celan criticism.’ — unsigned notice, Forum for Modern Language Studies 55.3, July 2019, 355
  • ‘Paul Celan’s Unfinished Poetics is highly recommended, as it demonstrates that a sous-œuvre opens up a fabulous new source of interest for poetry lovers. This goes far beyond Celan’s writings.’ — Gerrit-Jan Berendse, Modern Language Review 114.4, October 2019, 894-96 (full text online)