| Series | Extent | Year | Author | Title |
| IP 40 | — | 2018 | Enza De Francisci | A 'New' Woman in Verga and Pirandello |
| SHLC 20 | — | 2019 | Elizabeth Ramírez-Soto | (Un)veiling Bodies |
| RMFS 44 | — | 2018 | Roger Pensom | Accent, Rhythm and Meaning in French Verse |
| T 1 | — | 2020 | ed Ann Lewis,
Silke Arnold-de Simine | Adapting the Canon |
| GL 24 | — | 2021 | Anja Tröger | Affective Spaces |
| MI 6 | — | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
| T 24 | — | 2021 | David McCallam | André Chénier |
| SHLC 27 | — | 2019 | ed Stephen Boyd, Trudi L. Darby,
Terence O'Reilly | The Art of Cervantes in Don Quixote |
| SICL 44 | — | 2018 | ed Elisa Bizzotto,
Stefano Evangelista | Arthur Symons |
| RMFS 52 | — | 2016 | Ewa Szypula | Balzac's Love Letters |
| MI 8 | — | 2017 | Calum Watt | Blanchot and the Moving Image |
| SHLC 26 | — | 2017 | Katharine Murphy | Bodies of Disorder |
| RMFS 46 | — | 2016 | Hannah Scott | Broken Glass, Broken World |
| SE 9 | — | 2020 | David Trotter | Brute Meaning |
| SHLC 16 | — | 2020 | ed Jordi Larios,
Montserrat Lunati | Catalan Narrative 1875-2015 |
| MI 9 | — | 2019 | ed Marion Schmid,
Emma Wilson | Chantal Akerman |
| GL 23 | — | 2020 | Alexandra Lloyd | Childhood, Memory, and the Nation |
| IP 37 | — | 2016 | ed Stefano Jossa,
Giuliana Pieri | Chivalry, Academy, and Cultural Dialogues |
| LGS | — | 2017 | ed Ita Mac Carthy, Kirsti Sellevold,
Olivia Smith | Cognitive Confusions |
| GL 10 | — | 2016 | Stephanie Bird | Comedy and Trauma in Germany and Austria after 1945 |
| SICL 27 | — | 2019 | Joep Leerssen | Comparative Literature in Britain |
| GL 21 | — | 2020 | ed Inge Arteel, Lars Bernaerts,
Olivier Couder | Confrontational Readings |
| SE 12 | — | 2020 | Judie Newman | Contemporary Fictions |
| RMFS 65 | — | 2021 | Daisy Sainsbury | Contemporary French Poetry |
| SHLC 39 | — | 2020 | Catherine Barbour | Contemporary Galician Women Writers |
| SHLC 25 | — | 2019 | Nicholas Roberts | Cortázar and Music |
| SHLC 24 | — | 2017 | ed Xon de Ros,
Daniela Omlor | The Cultural Legacy of María Zambrano |
| LGS | — | 2017 | ed Guido Bonsaver, Brian Richardson,,
Giuseppe Stellardi | Cultural Reception, Translation and Transformation from Medieval to Modern Italy |
| SE 6 | — | 2020 | Zygmunt G. Barański | Dante, Petrarch, Boccaccio |
| SICL 49 | — | 2019 | ed Birte Christ,
Ève Morisi | Death Sentences |
| LGS | — | 2017 | ed Jane Desmarais,
Alice Condé | Decadence and the Senses |
| SICL 47 | — | 2019 | Olga G. Voronina | Depicting the Divine |
| GL 11 | — | 2016 | Joanna Neilly | E.T.A. Hoffmann’s Orient |
| GL 17 | — | 2018 | Anthony Grenville | Encounters with Albion |
| SE 1 | — | 2017 | Ritchie Robertson | Enlightenment and Religion in German and Austrian Literature |
| T 7 | — | 2018 | ed Johannes D. Kaminski | Erotic Literature in Adaptation and Translation |
| SHLC 18 | — | 2021 | Mar Diestro-Dópido | Film Festivals |
| T 13 | — | 2020 | Suzanne Jones | The First English Translations of Molière |
| T 17 | — | 2020 | Jamie McKendrick | The Foreign Connection |
| GL 15 | — | 2017 | Richard Dove | Foreign Parts |
| SHLC 33 | — | 2019 | Carla Almanza-Gálvez | Form and Reform in Eighteenth-Century Spain |
| IP 43 | — | 2019 | Paola Cori | Forms of Thinking in Leopardi’s Zibaldone |
| SICL 56 | — | 2021 | Elisa Segnini | Fragments, Genius and Madness |
| RMFS 49 | — | 2018 | Maria Flood | France, Algeria and the Moving Image |
| SHLC 35 | — | 2020 | Cláudia Pazos Alonso | Francisca Wood and Nineteenth-Century Periodical Culture |
| GL 1 | — | 2018 | Matthew McCarthy-Rechowicz | Franz Grillparzer’s Dramatic Heroines |
| LGS | — | 2019 | ed Oliver Davis,
Colin Davis | Freedom and the Subject of Theory |
| RMFS 43 | — | 2016 | Katherine Shingler | The French Art Novel 1900-1930 |
| SHLC 42 | — | 2019 | ed Mercedes García-Arenal,
Stefania Pastore | From Doubt to Unbelief |
| IP 38 | — | 2018 | Marianna Deganutti | Fulvio Tomizza |