
| A 'New' Woman in Verga and Pirandello: From Page to Stage Enza De Francisci Italian Perspectives 40•30 September 2018 |

| Alienation and Theatricality: Diderot after Brecht Phoebe von Held Studies In Comparative Literature 17•25 March 2011 |

| Authorial Echoes: Textuality and Self-Plagiarism in the Narrative of Luigi Pirandello Catherine O'Rawe Legenda (General Series) •4 February 2005 |

| Bertolt Brecht's Adaptations for the Berliner Ensemble  Arrigo Subiotto MHRA Texts and Dissertations 8•1 January 1975 |

| Between Two Worlds: The autos sacramentales of Sor Juana Inés de la Cruz Amy Fuller MHRA Texts and Dissertations 100•22 June 2015 |

| The Burgtheater and Austrian Identity: Theatre and Cultural Politics in Vienna, 1918-38 Robert Pyrah Legenda (General Series) •5 July 2007 |

| The Catalonian Journey of American Drama 1909-2000: From Jimmy Valentine to The Vagina Monologues Ramón Espejo Studies in Hispanic and Lusophone Cultures 59•19 February 2024 |

| Character, Ideology, and Symbolism in the Plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht  M. Helena Gonçalves da Silva MHRA Texts and Dissertations 21•1 January 1985 |

| The Choreography of Modernism in France: La Danseuse, 1830-1930 Julie Townsend Research Monographs in French Studies 28•12 April 2010 |

| Classical Comedy 1508-1786: A Legacy from Italy and France Richard Andrews Italian Perspectives 55•20 October 2022 |

| A Critical, Old-Spelling Edition of The Birth of Merlin (Q1662)  Joanna Udall MHRA Texts and Dissertations 31•1 January 1991 |

| Divided Loyalties: East German Writers and the Politics of German Division 1945-1953  Peter Davies MHRA Texts and Dissertations 49 / Bithell Series of Dissertations 24•1 January 2000 |

| Echo's Voice: The Theatres of Sarraute, Duras, Cixous and Renaude Mary Noonan Research Monographs in French Studies 36•1 July 2014 |

| El camino inverso: del cine al teatro: La vida en un hilo, de Edgar Neville y Mi adorado Juan, de Miguel Mihura Joanna Bardzińska MHRA Texts and Dissertations 91•1 May 2014 |

| The Experience of Colour in Lorca's Theatre Jade Boyd Studies in Hispanic and Lusophone Cultures 54•13 September 2022 |

| The First English Translations of Molière: Drama in Flux 1663-1732 Suzanne Jones Transcript 13•28 September 2020 |

| Force from Nietzsche to Derrida Clare Connors Legenda (General Series) •23 April 2010 |

| Foreign Parts: German and Austrian Actors on the British Stage 1933-1960 Richard Dove Germanic Literatures 15•29 September 2017 |

| Franz Grillparzer’s Dramatic Heroines: Theatre and Women’s Emancipation in Nineteenth-Century Austria Matthew McCarthy-Rechowicz Germanic Literatures 1•25 May 2018 |

| Gadda and Beckett: Storytelling, Subjectivity and Fracture Katrin Wehling-Giorgi Italian Perspectives 29•1 November 2014 |

| Genet's Genres of Politics Mairéad Hanrahan Research Monographs in French Studies 50•22 April 2023 |

| Georg Büchner's 'Dantons Tod': A Reappraisal  Dorothy James MHRA Texts and Dissertations 16•1 January 1982 |

| German Political Tragedy: The Machiavellian Plot and the Necessary Crime Ritchie Robertson Germanic Literatures 32•16 August 2024 |

| Goethe and Patriarchy: Faust and the Fates of Desire James Simpson Legenda (General Series) •2 January 1999 |

| Identity and Transformation in the Plays of Alexis Piron Derek Connon Legenda (General Series) •23 February 2007 |