Series | Extent | Year | Author | Title |
RMFS 44 | — | 2018 | Roger Pensom | Accent, Rhythm and Meaning in French Verse |
SE 13 | — | 2021 | Keith Reader | Across Texts |
T 2 | — | 2015 | Armelle Blin-Rolland | Adapted Voices |
SICL 3 | 238pp | 1999 | Fiona Cox | Aeneas Takes the Metro |
LGS | — | 2007 | Patrick ffrench | After Bataille |
MI 6 | — | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
CT 44 | — | 2014 | ed Barbara Wright | Albert Aubert, Du Spiritualisme et de quelques-unes de ses conséquences |
CT 28 | — | 2024 | tr Derek Connon | Alexis Piron, Fernand-Cortés |
CT 57 | — | 2016 | ed Derek Connon | Alexis Piron, Gustave-Wasa |
CT 84 | — | 2022 | ed Derek Connon | Alexis Piron, Le Claperman and L’Âne d’or |
P 2 | — | 2011 | ed Derek Connon | Alexis Piron, L’Antre de Trophonius et La Robe de dissention, ou le faux-prodige |
RMFS 9 | 198pp | 2001 | Walter Redfern | All Puns Intended |
LGS | — | 2016 | Valentina Gosetti | Aloysius Bertrand's Gaspard de la Nuit |
RMFS 17 | 154pp | 2004 | Seán Hand | Alter Ego |
SICL 8 | 192pp | 2005 | ed Toby Garfitt, Edith McMorran, Jane Taylor | The Anatomy of Laughter |
T 24 | — | 2021 | David McCallam | André Chénier |
YES 15 | — | 1985 | ed C. J. Rawson | Anglo-French Literary Relations |
TD 47 | 228pp | 1999 | Melissa Percival | The Appearance of Character |
TD 36 | 168pp | 1994 | Shirley A. Jordan | The Art Criticism of Francis Ponge |
LGS | 272pp | 1999 | Hilary Nias | The Artificial Self |
AS 13 | — | 2005 | ed Judith Beniston, Robert Vilain | Austria and France |
MI 12 | — | 2022 | Tom Cuthbertson | Autobiographical Reenactment in French and Belgian Film |
LGS | 206pp | 2000 | Angelica Goodden | The Backward Look |
LGS | — | 2006 | Karine Zbinden | Bakhtin between East and West |
RMFS 24 | 160pp | 2007 | Diana Knight | Balzac and the Model of Painting |