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McKenzie, John R. P., and Lesley Sharpe (eds), The Austrian Comic Tradition: Studies in Honour of W. E. Yates (= Austrian Studies, 9 (1998))

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Davies, Peter, Divided Loyalties: East German Writers and the Politics of German Division 1945-1953, Bithell Series of Dissertations, 24 (MHRA, 2000)

Schofield, Benedict, Private Lives and Collective Destinies: Class, Nation and the Folk in the Works of Gustav Freytag (1816-1895), Bithell Series of Dissertations, 37 (MHRA, 2012)

Kord, Susanne (ed.), Letzte Chancen: Vier Einakter von Marie von Ebner-Eschenbach, Critical Texts, 3 (MHRA, 2005)

Kord, Susanne (ed.), Macht des Weibes: Zwei historische Tragödien von Marie von Ebner-Eschenbach, Critical Texts, 4 (MHRA, 2005)

Wynn, Thomas (ed.), François II, roi de France, Critical Texts, 8 (MHRA, 2006)

Dunmore, John (ed.), La Peyrouse dans l’Isle de Tahiti, ou le Danger des Présomptions: Drame politique, Critical Texts, 10 (MHRA, 2006)

présentée, Édition, établie, and et annotée par Julia Prest, La Devineresse ou les faux enchantemens, Critical Texts, 12 (MHRA, 2007)

Connon, Derek (trans.), Alexis Piron, Fernand-Cortés, Critical Texts, 28 (MHRA, 2024)

Shoemaker, Peter William (ed.), Les Costeaux, ou les marquis frians, by Jean Donneau de Visé, Critical Texts, 31 (MHRA, 2013)

Prest, Julia (ed.), Les Veuves créoles, Critical Texts, 34 (MHRA, 2017)

Connon, Derek (ed.), Alexis Piron, Gustave-Wasa, Critical Texts, 57 (MHRA, 2016)

Goodman, Jessica (ed.), Commemorating Mirabeau: Mirabeau aux Champs-Elysées and other texts, Critical Texts, 58 (MHRA, 2017)

Perazzolo, Paola (ed.), Gabriel-Marie Legouvé, La Mort d'Abel, Critical Texts, 61 (MHRA, 2016)

Darlow, Mark (ed.), Michel-Jean Sedaine: Théâtre de la Révolution, Critical Texts, 63 (MHRA, 2017)

Aggor, Komla (ed.), Francisco Nieva: Coronada y el toro, Critical Texts, 64 (MHRA, 2021)

Harris, Joseph (ed.), Marmontel and Demoustier, Le Misanthrope corrigé: Two Eighteenth-Century Sequels to Molière’s ‘Le Misanthrope’, Critical Texts, 65 (MHRA, 2019)

Harris, Joseph (ed.), Louis-Sébastien Mercier, Le Vieillard et ses trois filles and Timon d’Athènes: Two Shakespeare Adaptations, Critical Texts, 82 (MHRA, 2023)

Connon, Derek (ed.), Alexis Piron, Le Claperman and L’Âne d’or, Critical Texts, 84 (MHRA, 2022)

McCarthy-Rechowicz, Matthew, Franz Grillparzer’s Dramatic Heroines: Theatre and Women’s Emancipation in Nineteenth-Century Austria, Germanic Literatures, 1 (Legenda, 2018)

Dove, Richard, Foreign Parts: German and Austrian Actors on the British Stage 1933-1960, Germanic Literatures, 15 (Legenda, 2017)

Günsberg, Maggie, Playing with Gender: The Comedies of Goldoni, Italian Perspectives, 7 (Legenda, 2002)

Sampson, Lisa, Pastoral Drama in Early Modern Italy: The Making of a New Genre, Italian Perspectives, 15 (Legenda, 2006)

Fischer, Donatella, Il teatro di Eduardo De Filippo: La crisi della famiglia patriarcale, Italian Perspectives, 17 (Legenda, 2007)

Antonello, Pierpaolo, and Alan O'Leary (eds), Imagining Terrorism: The Rhetoric and Representation of Political Violence in Italy 1969-2009, Italian Perspectives, 18 (Legenda, 2009)

Chirumbolo, Paolo, and John Picchione (eds), Edoardo Sanguineti: Literature, Ideology and the Avant-Garde, Italian Perspectives, 26 (Legenda, 2013)

Fischer, Donatella (ed.), The Tradition of the Actor-Author in Italian Theatre, Italian Perspectives, 27 (Legenda, 2013)

Wehling-Giorgi, Katrin, Gadda and Beckett: Storytelling, Subjectivity and Fracture, Italian Perspectives, 29 (Legenda, 2014)

Francisci, Enza De, A 'New' Woman in Verga and Pirandello: From Page to Stage, Italian Perspectives, 40 (Legenda, 2018)

Refini, Eugenio, Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy, Italian Perspectives, 48 (Legenda, 2023)

Andrews, Richard, Classical Comedy 1508-1786: A Legacy from Italy and France, Italian Perspectives, 55 (Legenda, 2022)

Weller, Shane, A Taste for the Negative: Beckett and Nihilism (Legenda, 2005)

O'Rawe, Catherine, Authorial Echoes: Textuality and Self-Plagiarism in the Narrative of Luigi Pirandello (Legenda, 2005)

Bonaddio, Federico, and Xon de Ros (eds), Crossing Fields in Modern Spanish Culture (Legenda, 2003)

Bonsaver, Guido, and Robert Gordon (eds), Culture, Censorship and the State in Twentieth-Century Italy (Legenda, 2005)

Simpson, James, Goethe and Patriarchy: Faust and the Fates of Desire (Legenda, 1999)

Hall, Edith, Fiona Macintosh, and Oliver Taplin (eds), Medea in Performance 1500-2000 (Legenda, 2000)

Renton, Linda, Pinter and the Object of Desire: An Approach through the Screenplays (Legenda, 2002)

Panizza, Letizia (ed.), Women in Italian Renaissance Culture and Society (Legenda, 2000)

Pyrah, Robert, The Burgtheater and Austrian Identity: Theatre and Cultural Politics in Vienna, 1918-38 (Legenda, 2007)

Poole, William, and Richard Scholar (eds), Thinking with Shakespeare: Comparative and Interdisciplinary Essays (Legenda, 2007)

Hall, Edith, and Amanda Wrigley (eds), Aristophanes in Performance 421 BC-AD 2007: Peace, Birds, and Frogs (Legenda, 2007)

Connon, Derek, Identity and Transformation in the Plays of Alexis Piron (Legenda, 2007)

Bartel, Heike, and Anne Simon (eds), Unbinding Medea: Interdisciplinary Approaches to a Classical Myth from Antiquity to the 21st Century (Legenda, 2010)

Connors, Clare, Force from Nietzsche to Derrida (Legenda, 2010)

Alonso, Cláudia Pazos, and Stephen Parkinson, Reading Literature in Portuguese: Commentaries in Honour of Tom Earle (Legenda, 2013)

Bowie, Malcolm, Selected Essays of Malcolm Bowie II: Song Man (Legenda, 2013)