The Austrian Comic Tradition: Studies in Honour of W. E. Yates
Edited by John R. P. McKenzie and Lesley Sharpe
Austrian Studies 93 July 1998

A Critical, Old-Spelling Edition of the Birth of Merlin (Q1662)
Joanna Udall
MHRA Texts and Dissertations 311 January 1991

Early Shakespeare
Edited by Andrew Gurr
Yearbook of English Studies 231 January 1993

Goethe and Patriarchy: Faust and the Fates of Desire
James Simpson
Legenda (General Series) 2 January 1999

  • notice, Germanistik 41.3-4, 2000, 921
  • ‘Simpson argues that Goethe's work, in essence, constitutes an act of self-diagnosis and therapy... his paradigm is not just Freudian, but also implicitly Jungian.’ — Paul Bishop, Modern Language Review 96.2, 2001, 566-7 (full text online)
  • ‘This book is not brilliant: it is too carefully argued and clearly written to deserve that flashy label of the day. A more apt descriptor might be formidable, both for its ambition and for its achievement. Simpson has undertaken nothing less than the elucidation of the paradigm that was central to all of Goethe's intellectual, personal, scientific and poetic concerns, the "ur-fantasy that is a fantasy of origins"... In the best tradition of British literary criticism, Simpson writes in a lively, engaging style that does not need jargon... No one working seriously on Goethe or on Faust can ignore the challenge of this study.’ — Arnd Bohm, Seminar 41.1, 2005, 73-74

Medieval Narrative
Edited by Andrew Gurr
Yearbook of English Studies 221 January 1992

Politics, Patronage and Literature in England 1558-1658
Edited by Andrew Gurr
Yearbook of English Studies 211 January 1991

Reception and Renewal in Modern Spanish Theatre: 1939-1963
John London
MHRA Texts and Dissertations 451 January 1997

Theatre and Performance in Austria From Mozart to Jelinek
Edited by Edward Timms and Ritchie Robertson
Austrian Studies 48 November 1993

Towards a Cultural Philology: Phèdre and the Construction of 'Racine'
Amy Wygant
Research Monographs in French Studies 41 July 1999

  • ‘This book approaches Racine not primarily as a classicist, but as a playwright rooted in his own time... Through references to philosophy, art and music, Wygant interrogates the meaning of frequently used phrases such as 'the music of Racine'. This study draws together many strands of research through the juxtaposition of a multiplicity of areas and details.’ — Rosemary Arnoux, New Zealand Journal of French Studies 22.2, 2001, 43-4
  • ‘A fresh, clever, often entertaining book, about lots of things as well as Phèdre, and the brief volume is lavishly and revealing illustrated.’ — Richard Parish, Modern Language Review 96.1, 2001, 187-8 (full text online)

Welttheater: Hofmannsthal, Richard von Kralik, and the Revival of Catholic Drama in Austria, 1890-1934
Judith Beniston
Bithell Series of Dissertations 23 / MHRA Texts and Dissertations 461 January 1998