| Series | Extent | Year | Author | Title |
| T 31 | — | 2024 | Charlie Louth | Crossings |
| T 28 | — | 2024 | Stephen Romer | Chaos and the Clean Line |
| GL 30 | — | 2024 | Peter Morgan | Stefan George |
| T 26 | — | 2023 | Doriane Zerka | Imagining Iberia in Medieval German Literature |
| IP 59 | — | 2023 | Anne C. Leone | Dante’s Blood |
| IP 56 | — | 2023 | ed Guyda Armstrong, Simon A. Gilson,
Federica Pich | Petrarch Commentary and Exegesis in Renaissance Italy and Beyond |
| RMFS 67 | — | 2022 | Layla Roesler | Essay as Enabler in Yves Bonnefoy |
| SE 10 | — | 2022 | Peter Dayan | For the Love of Art |
| LGS | — | 2022 | Georgina Barker | SPQR in the USSR |
| IP 54 | — | 2022 | ed Adele Bardazzi, Francesco Giusti,,
Emanuela Tandello | A Gaping Wound |
| GL 26 | — | 2022 | Joanna Raisbeck | Karoline von Günderrode |
| T 20 | — | 2022 | Marta Arnaldi | The Diasporic Canon |
| LGS | — | 2022 | Oliver Pickering | The Poems and Songs of Henry Hall of Hereford |
| IP 57 | — | 2022 | Francesca Southerden | Dante and Petrarch in the Garden of Language |
| IP 53 | — | 2022 | Katherine Powlesland | Narrative Strategies for Participation in Dante's Divine Comedy |
CT 72
JT 8 | — | 2022 | ed Alex Murray,
Sarah Parker | Michael Field, For That Moment Only and Other Prose Works |
| SICL 50 | — | 2022 | James P. Leveque | Words Like Fire |
| SHLC 53 | — | 2022 | Rachel Elizabeth Robinson | Visual and Plastic Poetics |
| SHLC 49 | — | 2022 | Miguel García | Queering Lorca’s Duende |
| GL 25 | — | 2022 | Christoph J. Pretzer | Writing Across Time in the Twelfth Century |
| MI 11 | — | 2022 | ed Ben Bollig,
David M. J. Wood | The Poetry-Film Nexus in Latin America |
| LGS | — | 2021 | ed Carolin Duttlinger, Kevin Hilliard,,
Charlie Louth | From the Enlightenment to Modernism |
| T 21 | — | 2021 | Alice Loda | The Translingual Verse |
| SICL 52 | — | 2021 | Julian J. I. Koch | A Poetics of the Image |
| IP 49 | — | 2021 | ed Maiko Favaro | Interpreting and Judging Petrarch’s Canzoniere in Early Modern Italy |