| Series | Extent | Year | Author | Title |
| IP 59 | — | 2023 | Anne C. Leone | Dante’s Blood |
| IP 60 | — | 2023 | Mara Josi | Rome, 16 October 1943 |
| IP 58 | — | 2023 | Marco Faini | Standing at the Crossroads |
| IP 56 | — | 2023 | ed Guyda Armstrong, Simon A. Gilson,
Federica Pich | Petrarch Commentary and Exegesis in Renaissance Italy and Beyond |
| IP 48 | — | 2023 | Eugenio Refini | Staging the Soul |
| IP 55 | — | 2022 | Richard Andrews | Classical Comedy 1508-1786 |
| IP 54 | — | 2022 | ed Adele Bardazzi, Francesco Giusti,,
Emanuela Tandello | A Gaping Wound |
| T 20 | — | 2022 | Marta Arnaldi | The Diasporic Canon |
| IP 57 | — | 2022 | Francesca Southerden | Dante and Petrarch in the Garden of Language |
| IP 53 | — | 2022 | Katherine Powlesland | Narrative Strategies for Participation in Dante's Divine Comedy |
| IP 51 | — | 2022 | Alessandra Diazzi | Psychoanalysis, Ideology and Commitment in Italy 1945-1975 |
| SICL 50 | — | 2022 | James P. Leveque | Words Like Fire |
| SICL 40 | — | 2022 | Georgia Panteli | From Puppet to Cyborg |
| T 18 | — | 2022 | Lucy Rayfield | Poetics, Performance and Politics in French and Italian Renaissance Comedy |
| T 21 | — | 2021 | Alice Loda | The Translingual Verse |
| IP 49 | — | 2021 | ed Maiko Favaro | Interpreting and Judging Petrarch’s Canzoniere in Early Modern Italy |
| IP 52 | — | 2021 | ed Nick Havely,
Jonathan Katz with Richard Cooper | Dante Beyond Borders |
| SICL 56 | — | 2021 | Elisa Segnini | Fragments, Genius and Madness |
| IP 50 | — | 2021 | Ronnie Ferguson | Venetian Inscriptions |
| IP 45 | — | 2021 | Marzia Beltrami | Spatial Plots |
| T 17 | — | 2020 | Jamie McKendrick | The Foreign Connection |
| IP 47 | — | 2020 | Maria Pavlova | Saracens and their World in Boiardo and Ariosto |
| IP 46 | — | 2020 | Cecilia Muratori | Renaissance Vegetarianism |
| T 8 | — | 2020 | ed Carole Birkan-Berz, Guillaume Coatalen,
Thomas Vuong | Translating Petrarch's Poetry |
| SE 6 | — | 2020 | Zygmunt G. Barański | Dante, Petrarch, Boccaccio |