| Series | Extent | Year | Author | Title |
| RMFS 61 | — | 2022 | Joanne Brueton | Geometry and Jean Genet |
| T 18 | — | 2022 | Lucy Rayfield | Poetics, Performance and Politics in French and Italian Renaissance Comedy |
| MI 12 | — | 2022 | Tom Cuthbertson | Autobiographical Reenactment in French and Belgian Film |
| SICL 50 | — | 2022 | James P. Leveque | Words Like Fire |
| RMFS 68 | — | 2022 | Robert Lethbridge | Zola's Painters |
| SICL 53 | — | 2022 | Lin Li | Residual Figuration in Samuel Beckett and Alberto Giacometti |
| LGS | — | 2022 | Adam Watt | Labours of Attention |
| LGS | — | 2022 | ed Jessica Goodman | Last Scene of All |
| RMFS 66 | — | 2022 | Jane Hiddleston | Frantz Fanon |
| CT 76 | — | 2022 | A Bilingual Edition by Jean-Alexandre Perras | La Découverte de l’île Frivole by Gabriel-François Coyer |
| IP 55 | — | 2022 | Richard Andrews | Classical Comedy 1508-1786 |
| SE 10 | — | 2022 | Peter Dayan | For the Love of Art |
| CT 84 | — | 2022 | ed Derek Connon | Alexis Piron, Le Claperman and L’Âne d’or |
| RMFS 64 | — | 2022 | Helena Duffy | The Holocaust in French Postmodern Fiction |
| RMFS 67 | — | 2022 | Layla Roesler | Essay as Enabler in Yves Bonnefoy |