Series | Extent | Year | Author | Title |
AS 19 | — | 2011 | ed Allyson Fiddler, Jon Hughes, Florian Krobb | The Austrian Noughties |
GL 10 | — | 2016 | Stephanie Bird | Comedy and Trauma in Germany and Austria after 1945 |
IP 44 | — | 2019 | ed Guido Bonsaver, Alessandro Carlucci, Matthew Reza | Italy and the USA |
LGS | — | 2018 | Susana Cory-Wright | Maud Beerbohm Tree |
MI 6 | — | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
MI 7 | — | 2018 | Patrick ffrench | Thinking Cinema with Proust |
MI 8 | — | 2017 | Calum Watt | Blanchot and the Moving Image |
MI 9 | — | 2019 | ed Marion Schmid, Emma Wilson | Chantal Akerman |
MI 11 | — | 2022 | ed Ben Bollig, David M. J. Wood | The Poetry-Film Nexus in Latin America |
MI 12 | — | 2022 | Tom Cuthbertson | Autobiographical Reenactment in French and Belgian Film |
MI 13 | — | 2021 | Alice Blackhurst | Luxury, Sensation and the Moving Image |
MI 14 | — | 2023 | ed Martin Brady, Helen Hughes | The Cinema of Danièle Huillet and Jean-Marie Straub |
RMFS 49 | — | 2018 | Maria Flood | France, Algeria and the Moving Image |
SE 9 | — | 2020 | David Trotter | Brute Meaning |
SE 13 | — | 2021 | Keith Reader | Across Texts |
SHLC 13 | — | 2017 | Benedict Hoff | Reprojecting the City |
SHLC 18 | — | 2021 | Mar Diestro-Dópido | Film Festivals |
SHLC 20 | — | 2019 | Elizabeth Ramírez-Soto | (Un)veiling Bodies |
SICL 40 | — | 2022 | Georgia Panteli | From Puppet to Cyborg |
T 1 | — | 2020 | ed Ann Lewis, Silke Arnold-de Simine | Adapting the Canon |
T 3 | — | 2020 | Kate Griffiths | Zola and the Art of Television |
T 5 | — | 2017 | ed Nicola Gardini, Adriana X. Jacobs, Ben Morgan, Mohamed-Salah Omri, Matthew Reynolds | Minding Borders |
TD 77 | — | 2011 | Paul Melo e Castro | Shades of Grey: 1960s Lisbon in Novel, Film and Photobook |
TD 91 | — | 2014 | Joanna Bardzińska | El camino inverso: del cine al teatro |
VC 1 | — | 2021 | Paul Julian Smith | Reimagining History in Contemporary Spanish Media |