| Series | Extent | Year | Author | Title |
| CT 28 | — | 2024 | tr Derek Connon | Alexis Piron, Fernand-Cortés |
| TST 28 | — | 2024 | ed Massimiliano Morini | The First English Pastor Fido |
| VC 2 | — | 2024 | Peter Zusi | The Integrity of the Avant-Garde |
| T 31 | — | 2024 | Charlie Louth | Crossings |
| T 28 | — | 2024 | Stephen Romer | Chaos and the Clean Line |
| SHLC 59 | — | 2024 | Ramón Espejo | The Catalonian Journey of American Drama 1909-2000 |
| T 23 | — | 2024 | ed Jenny Haase,
Joanna Neilly | German Romanticism and Latin America |
| GL 30 | — | 2024 | Peter Morgan | Stefan George |
| SIY 13 | — | 2023 | ed Simon Neuberg,
Diana Matut | Worlds of Old Yiddish Literature |
| T 26 | — | 2023 | Doriane Zerka | Imagining Iberia in Medieval German Literature |
| SIY 20 | — | 2023 | ed Harriet L. Murav, Gennady Estraikh,
Myroslav Shkandrij | Building Modern Jewish Culture |
| SIY 19 | — | 2023 | ed Alyssa Quint,
Amanda Miryem-Khaye Seigel | Women on the Yiddish Stage |
| SHLC 52 | — | 2023 | Karunika Kardak | Memory, Identity and the Historical Novel in Uruguay |
| IP 59 | — | 2023 | Anne C. Leone | Dante’s Blood |
| TST 30 | — | 2023 | ed Patricia Demers | Anne Cooke’s Englishing of Bernardino Ochino |
| SICL 57 | — | 2023 | ed Kate Averis, Margaret Littler,,
Godela Weiss-Sussex | Contested Communities |
| IP 60 | — | 2023 | Mara Josi | Rome, 16 October 1943 |
| NT 19 | — | 2023 | tr Derek Connon | Le Philosophe sans le savoir, by Michel-Jean Sedaine |
| RMFS 50 | — | 2023 | Mairéad Hanrahan | Genet's Genres of Politics |
| MI 14 | — | 2023 | ed Martin Brady,
Helen Hughes | The Cinema of Danièle Huillet and Jean-Marie Straub |
| IP 58 | — | 2023 | Marco Faini | Standing at the Crossroads |
| CT 82 | — | 2023 | ed Joseph Harris | Louis-Sébastien Mercier, Le Vieillard et ses trois filles and Timon d’Athènes |
| SE 8 | — | 2023 | Catriona Kelly | Out of Focus |
| RMFS 69 | — | 2023 | Edward Welch | Making Space in Post-War France |
| T 29 | — | 2023 | ed Alison James, Akihiro Kubo,,
Françoise Lavocat | Can Fiction Change the World? |
| IP 56 | — | 2023 | ed Guyda Armstrong, Simon A. Gilson,
Federica Pich | Petrarch Commentary and Exegesis in Renaissance Italy and Beyond |
| IP 48 | — | 2023 | Eugenio Refini | Staging the Soul |
| TST 26/2 | — | 2023 | ed Alex Davis, Gordon Kendal,
Neil Rhodes | Erasmus in English 1523-1584, Volume II |
| TST 26/1 | — | 2023 | ed Alex Davis, Gordon Kendal,
Neil Rhodes | Erasmus in English 1523-1584, Volume I |
| T 19 | — | 2022 | ed Mohamed-Salah Omri,
Philippe Roussin | Literature, Democracy and Transitional Justice |
| RMFS 67 | — | 2022 | Layla Roesler | Essay as Enabler in Yves Bonnefoy |
| RMFS 64 | — | 2022 | Helena Duffy | The Holocaust in French Postmodern Fiction |
| CT 84 | — | 2022 | ed Derek Connon | Alexis Piron, Le Claperman and L’Âne d’or |
CT 78
JT 10 | — | 2022 | ed Sasha Dovzhyk,
Simon Wilson | Decadent Writings of Aubrey Beardsley |
| SHLC 56 | — | 2022 | Deborah Madden | Matilde de la Torre |
| SE 10 | — | 2022 | Peter Dayan | For the Love of Art |
| LGS | — | 2022 | Georgina Barker | SPQR in the USSR |
| IP 55 | — | 2022 | Richard Andrews | Classical Comedy 1508-1786 |
| IP 54 | — | 2022 | ed Adele Bardazzi, Francesco Giusti,,
Emanuela Tandello | A Gaping Wound |
| T 15 | — | 2022 | Sophie Stevens | Uruguayan Theatre in Translation |
| SHLC 58 | — | 2022 | Dorothée Boulanger | Fiction as History |
| GL 26 | — | 2022 | Joanna Raisbeck | Karoline von Günderrode |
| CT 76 | — | 2022 | A Bilingual Edition by Jean-Alexandre Perras | La Découverte de l’île Frivole by Gabriel-François Coyer |
| T 20 | — | 2022 | Marta Arnaldi | The Diasporic Canon |
| T 14 | — | 2022 | ed Adriana X. Jacobs,
Claire Williams | After Clarice |
| SHLC 54 | — | 2022 | Jade Boyd | The Experience of Colour in Lorca's Theatre |
| RMFS 66 | — | 2022 | Jane Hiddleston | Frantz Fanon |
| LGS | — | 2022 | ed Jessica Goodman | Last Scene of All |
| LGS | — | 2022 | Oliver Pickering | The Poems and Songs of Henry Hall of Hereford |
| LGS | — | 2022 | Adam Watt | Labours of Attention |