François II, roi de France
Edited by Thomas Wynn
Critical Texts 8•3 November 2006
- ‘This is a welcome edition and a particularly timely one in the context of the current reappraisal of the minores and consequent refinement of our picture of the French Enlightenment, and of the problematization of dramatic reception.’ — John Dunkley, Modern Language Review 104.4, 2009, 1145 (full text online)
La Peyrouse dans l’Isle de Tahiti, ou le Danger des Présomptions: Drame politique
Edited by John Dunmore
Critical Texts 10•20 October 2006
La Devineresse ou les faux enchantemens
Édition présentée, établie, et annotée par Julia Prest
Critical Texts 12•1 November 2007
Les Costeaux, ou les marquis frians, by Jean Donneau de Visé
Edited by Peter William Shoemaker
Critical Texts 31•1 June 2013
- ‘Complemented with a plethora of detailed endnotes providing much detail about areas such as culinary practice (from wild-duck recipes to the oenophilic topography of France), this edition has much to offer scholars of, and all those interested in, the early modern period.’ — Paul Scott, French Studies 69, 2015, 527
Les Veuves créoles
Edited by Julia Prest
Critical Texts 34•11 April 2017
- ‘In compiling this edition, Prest aims to reveal how the play could be ‘of considerable interest today in the context of renewed and ongoing research into the story of French colonialism and, increasingly, in colonial and créole drama’ (p. 5). This edition of Les Veuves créoles is a concise and riveting introduction to these research areas, and would in addition provide an ideal teaching tool.’ — Vanessa Lee, Bulletin of Francophone Postcolonial Studies 8.2, Autumn 2017, 26-27
Alexis Piron, Gustave-Wasa
Edited by Derek Connon
Critical Texts 57•8 March 2016
- ‘Connon’s rich critical edition boasts extensive contextualization and intriguing paratexts. His wide-ranging Introduction analyses the tragedic elements of pity, terror, and character self-revelation, alongside Piron’s spirited self-defence against Prévost’s accusations of plagiarism.’ — Síofra Pierse, Modern Language Review 113.1, January 2018, 244-45 (full text online)
Commemorating Mirabeau: Mirabeau aux Champs-Elysées and other texts
Edited by Jessica Goodman
Critical Texts 58•1 August 2017
- ‘In this fine book, Jessica Goodman provides the full corrected and modernized texts of five plays from the era of the French Revolution, three of them published in 1791 and two available only in manuscript... Goodman has done wonderful detective work, providing us with the performance history of the plays, the number of people likely to have seen them, and the amount the authors made on the productions... I hope that Goodman will continue to haunt the archives and bring more gems like these plays back into circulation, and I am confident that readers of her introduction and notes will find them useful and instructive.’ — Robert H. Blackman, H-France February 2018, 18.30
- ‘In this intriguing volume, Jessica Goodman unites five texts dating from the weeks following the death of Mirabeau on 2 April 1791... Particularly interesting is her analysis of Mirabeau aux Champs-Élysées and Gouges’s authorial strategies. This volume is an important contribution to scholarship on the Revolutionary period and, more generally, to our understanding of the commemorative practices of the late eighteenth century.’ — John R. Iverson, French Studies 72.4, October 2018, 601-02
Gabriel-Marie Legouvé, La Mort d'Abel
Edited by Paola Perazzolo
Critical Texts 61•7 November 2016
Michel-Jean Sedaine: Théâtre de la Révolution
Edited by Mark Darlow
Critical Texts 63•29 September 2017
- ‘Théâtre de la Révolution is an impeccably researched edition of Michel-Jean Sedaine’s last operatic works... Sedaine’s Théâtre de la Révolution will be required reading for scholars of eighteenth-century theatre and music. Thanks to Darlow’s introduction, the work is also an essential contribution to scholarship on cultural production and policy during the Revolution... Overall, eighteenth-century French musical theatre, ignored by dix-huitièmistes for generations, has a champion in Mark Darlow and a welcome new title in his edition of Sedaine’s last librettos.’ — Logan Connors, H-France 18.95, April 2018
- ‘This is another admirable critical edition from Darlow which sheds new light on a playwright’s transition from Ancien Régime to Revolution.’ — Clare Siviter, Modern Language Review 114.1, January 2019, 144-45 (full text online)
Francisco Nieva: Coronada y el toro
Edited by Komla Aggor
Critical Texts 64•15 November 2021
- ‘La prestigiosa editorial asentada en Cambridge Modern Humanities Research Association acaba de publicar una edición de la obra del genio español Francisco Nieva, «Coronada y el Toro», con una magnífica introducción y estudio del especialista en Nieva Komla Aggor, profesor de la Texas Christian University. «Coronada y el Toro» es una obra maestra.’ — Martín-Miguel Rubio Esteban, ABC 29 September 2020, 14
- ‘La Modern Humanities Research Association acaba de publicar una excelente edición de la obra de Francisco Nieva, Coronada y el toro, preparada por el investigador experto en la obra de Nieva, Komla Aggor.’ — www.francisconieva.com September 2020
Marmontel and Demoustier, Le Misanthrope corrigé: Two Eighteenth-Century Sequels to Molière’s ‘Le Misanthrope’
Edited by Joseph Harris
Critical Texts 65•31 May 2019
- ‘This volume is an important addition to the corpus of Molière reception in the Enlightenment. The arc of Le Misanthrope’s reception can be traced back to the play’s first appearance with critical responses such as Donneau de Visé’s Lettre écrite sur la comédie du Misanthrope; but this new comparative and elucidating edition of two eighteenth-century sequels will encourage scholars and students to encompass a wider range of texts in their reflections on Molière’s audiences and adaptors.’ — Suzanne Jones, H-France 20.54, April 2020
- ‘Harris’s Introduction is essential reading. It provides a nuanced and fine-grained analysis of the two treatments, placing them into the context of the respective authors’ careers and the wider context of eighteenth-century ideas... the volume is a very welcome publication and is sure to be of great interest to a wide audience interested in Molière and his literary posterity.’ — Mark Darlow, Modern Language Review 115.4, October 2020, 917-18 (full text online)
Alexis Piron, Le Claperman and L’Âne d’or
Edited by Derek Connon
Critical Texts 84•1 December 2022
An International Annotated Bibliography of Strindberg Studies 1870–2005: Volume 1: General Studies
Compiled, annotated, and edited by Michael Robinson
MHRA Bibliographies 4/1 of 3•1 October 2008
- ‘In these three volumes Michael Robinson, already a renowned Strindberg scholar, has completed an exceptional work... The concise and informative annotations are an essential part of this remarkable bibliography, and there are cross-references to facilitate research projects ... Michael Robinson has performed an invaluable service with this bibliography, not only for those readers interested in Strindberg but for everyone who wants to have a sense of the international literary and cultural interchange that his works have generated.’ — Ross Shideler, Modern Language Review 105.2, 2010, 616-17 (full text online)
An International Annotated Bibliography of Strindberg Studies 1870–2005: Volume 2: The Plays
Compiled, annotated, and edited by Michael Robinson
MHRA Bibliographies 4/2 of 3•1 October 2008
An International Annotated Bibliography of Strindberg Studies 1870–2005: Volume 3: Autobiographies, Novels, Poetry, Letters, Historical Works, Natural History and Science, Linguistics, Painting and the Other Arts, Politics, Psychopathology, Biography, Miscellaneous, Dissertations
Compiled, annotated, and edited by Michael Robinson
MHRA Bibliographies 4/3 of 3•1 October 2008
Monvel, Les Victimes cloîtrées
Edited by Sophie Marchand
Phoenix 1•1 February 2011
- ‘Sophie Marchand’s edition of Monvel’s drame Les Victimes cloîtrées is particularly welcome as a significant text from its period which is little known today but well worth rediscovering, as her critical introduction makes clear ... this is a very welcome publication and is highly recommended.’ — Mark Darlow, Modern Language Review 107, 2012, 1256-57 (full text online)
Alexis Piron, L’Antre de Trophonius et La Robe de dissention, ou le faux-prodige
Edited by Derek Connon
Phoenix 2•1 June 2011
- ‘Volume 2 of the MHRA Phoenix series on eighteenth-century French theatre will be particularly attractive to students of early modern French theatre and history ... Connon’s succinct presentation brings to life both Piron and the vibrant theatrical world of the period.’ — Síofra Pierse, Modern Language Review 108, 2013, 304-05 (full text online)
Delisle de Sales, Théâtre d'amour and Baculard d’Arnaud, L’Art de foutre, ou Paris foutant
Edited by Thomas Wynn
Phoenix 3•1 June 2011
- ‘Théâtre d’amour has never been published, and so its availability in this volume will nevertheless prove invaluable to scholars of the genre in the eighteenth century, and may also encourage tutors to include extracts in a module on French drama or erotic writing of the period ... The reader will find both works accompanied and illuminated by numerous footnotes, while Wynn’s clearly written and comprehensive introduction contextualizes both works historically and in terms of the genre’s remarkable popularity.’ — John Phillips, Modern Language Review 107, 2012, 1255-56 (full text online)
Laya, L'Ami des lois
Edited by Mark Darlow and Yann Robert
Phoenix 4•1 September 2011
- ‘This edition is thus an essential resource for anyone with an interest in Laya’s play, and will be a rewarding read for those working in the area of revolutionary theatre.’ — Catrin Francis, Modern Language Review 108, 2013, 976-77 (full text online)
- ‘the editors prove overwhelmingly that Laya’s comedy was a veritable social event in its time and is a necessary read today for students and scholars of the Revolution and of its rich, but often overlooked, theatrical culture.’ — Logan J. Connors, French Studies 67, 2013, 254-55
- ‘on se réjouit de pouvoir disposer d’une nouvelle édition critique séparée et de qualité ... Une bibliographie sélective termine le volume, qui sera incontestablement
très utile à la fois aux spécialistes du théâtre et aux chercheurs en histoire culturelle.’ — Jean-Noël Pascal, Dix-huitième siècle 44, 2012, 674
Baron, Le Rendez-vous des Tuileries, ou Le Coquet trompé
Edited by Jeanne-Marie Hostiou
Phoenix 5•1 September 2013
- ‘L’edizione critica, completata da un’esaustiva bibliografia, contribuisce alla riscoperta di una delle numerose creazioni drammatiche della fine del xvii secolo.’ — Monica Pavesio, Studi francesi 177, 2015, 590
A Critical, Old-Spelling Edition of the Birth of Merlin (Q1662)
Joanna Udall
MHRA Texts and Dissertations 31•1 January 1991
Private Lives and Collective Destinies: Class, Nation and the Folk in the Works of Gustav Freytag (1816-1895)
Benedict Schofield
Bithell Series of Dissertations 37 / MHRA Texts and Dissertations 81•30 May 2012
- ‘Schofield’s unprecedented and skillful incorporation of the author’s entire oeuvre has made a real and lasting contribution to nineteenth-century scholarship.’ — Alyssa Howards, German Quarterly 86, 2013, 489-90
- ‘Represents a valuable contribution to the field and enhances our understanding of Freytag’s strategy and agenda in no small measure.’ — Florian Krobb, Modern Language Review 109, 2014, 556-58 (full text online)
- ‘This is the only comprehensive work on Freytag that I know of, at least in our time. It is thoroughly researched... The criticism is exacting and precise.’ — Jeffrey L. Sammons, Monatshefte 106, 2014, 312-15
The Signifying Self: Cervantine Drama as Counter-Perspective Aesthetic
Melanie Henry
MHRA Texts and Dissertations 83•1 February 2013
Between Two Worlds: The autos sacramentales of Sor Juana Inés de la Cruz
Amy Fuller
MHRA Texts and Dissertations 100•22 June 2015