Alfonso X the Learned, Cantigas de Santa Maria
Edited by Stephen Parkinson
Critical Texts 401 April 2015

  • ‘A new scholarly anthology with a balanced selection of songs—fresh, complete and competent—is welcome and overdue. Moreover, this preliminary view, in hard copy, of the promised full edition offers extraordinary value for the price.’ — Martha E. Schaffer, Bulletin of Spanish Studies 94, 2017, 1222-23
  • ‘Le scelte editoriali di P. appaiono nel complesso ade guate e contribuiscono a fornire un testo valido, che riesce nell’intento di rivolgersi con profitto sia al pubblico non specialistico, sia, grazie alla scrupolosità dell’analisi metrica e alla completezza degli apparati, a studenti universitari o a specialisti della letteratura romanza e galego-portoghese.’ — Simone Marcenaro, Medioevo Romanzo XLII.2, 2018, 466-69

Antonio Malatesti, La Tina. Equivoci rusticali
Edited by Davide Messina
Critical Texts 411 March 2014

  • ‘Dobbiamo rendere merito a Davide Messina, Senior Lecturer presso l’Università di Edimburgo e fine studioso di letteratura italiana del Seicento, se possiamo leggere ed apprezzare i cinquanta sonetti che compongono la raccolta poetica’ — Mario Ceroti, Mosaici online at www.mosaici.org.uk, 2014

Arthur Symons, Selected Early Poems
Edited by Chris Baldick and Jane Desmarais
Critical Texts 42 / Jewelled Tortoise 311 April 2017

  • ‘How gratifying it is, then, to have not one but two new volumes of Symons’ work published by the Modern Humanities Research Association’s Jewelled Tortoise imprint, thoroughly edited and placed in both a biographical and cultural context. The volumes’ editors are all wise enough to balance their informative footnotes with letting Symons’ work shine on its own.’ — Heather Marcovitch, Review of English Studies 2017
  • ‘Selected Early Poems by Arthur Symons is a carefully and beautifully edited book. ... The introduction and notes, together with the prose selections, provide illuminating material for the deeper appreciation and understanding of Symons’ poetic work. It is a book that should provide pleasure for scholars and all who are interested in the literature of the late-nineteenth century.’ — Noreen Doody, The OScholars September 2017
  • ‘These excellent critical editions of Symons’s poetry and prose… Symons emerges much clearer for their informative and well-judged notes.’ — Kate Hext, Times Literary Supplement 12 January 2018, 3-4
  • ‘The great service these two editions do to the study of Symons, and more broadly in developing our understanding of the contours and development of fin de siècle culture as it was negotiated during the period between Victorianism and modernism. We are left with the impression that the Jewelled Tortoise series is a vital scholarly project for researchers working on the period, and the hope that they will continue to publish such important scholarly editions.’ — Giles Whiteley, Notes & Queries September 2018, 459-61
  • ‘A judicious assortment of Symons’s early and late poems, and a small sampling of reviews and Symons’s own prose to add context, make this a one-stop shop for anyone wishing to conduct further research into Symons’s poetic oeuvre... Under the expert eye of Catherine Maxwell and Stefano Evangelista, this series is setting a new standard in fin-de-siècle textual scholarship... Just as importantly, these texts are very reasonably priced, which means they can be set in courses on Decadence and fin-de-siècle culture, bringing Symons’s work—enriched by rigorous scholarship—to a new generation of critics.’ — Alex Murray, Modern Language Review 113.4, October 2018, 867-70 (full text online)

Isabella Sori, Ammaestramenti e ricordi
Edited by Helena Sanson
Critical Texts 4831 October 2018

‘Noa Noa’ by Paul Gauguin and Charles Morice: With ‘Manuscrit tiré du “Livre des métiers” de Vehbi-Zumbul Zadi’ by Paul Gauguin
Edited by Claire Moran
Critical Texts 5021 August 2017

  • ‘Moran has given us not only a fine new edition of Noa Noa, but also a forceful reminder of the generic complexities that underpin artists' writings.’ — Richard Hobbs, French Studies 72.3, July 2018, 450-51 (full text online)
  • ‘Moran’s introductory essay is itself a noteworthy piece of contemporary scholarship on Gauguin... her very thorough and carefully edited new version of Noa Noa add to our understanding of Gauguin as a writer, in particular, the way he used writing as a mode of self-representation, not merely as a backdrop for his visual art... This affordable text will be useful for scholars of fin de siècle French art and literature as well as students of French language, art history, and aesthetic theory, and will likely lead to new scholarship on Gauguin... I would invite others going forward to consult Moran’s edition of Noa Noa as the definitive text for any study of Gauguin.’ — Heather Waldroup, H-France 18.213, October 2018

La Voie de Povreté et de Richesse
Edited by Glynnis M. Cropp
Critical Texts 5111 May 2016

  • ‘As Glynnis Cropp notes in her foreword, while historians have made reference to La Voie de Povreté et de Richesse, a vernacular fourteenth-century dream-vision poem, the text itself has never received a critical edition. That omission has now been impressively rectified... this is an impressive and accessible edition, justifying why La Voie de Povreté et de Richesse deserves recognition in its own right.’ — Bridget Riley, Modern Language Review 116.2, April 2017, 506 (full text online)
  • ‘L’edizione di Cropp... ha il merito incontestabile di far progredire in maniera sostanziale la nostra conoscenza di un testo e di una tradizione no ad oggi completamente trascurati. Il testo critico è stabilito con criteri chiari e le scelte operate sono controllabili. Si tratta di un lavoro di grande peso e impegno, che offre delle basi di partenza solide a chi vorrà approfondirne la complessa situazione testuale della Voie de la Pouvreté et de la Richesse.’ — Maria Teresa Rachetta, Revue de Linguistique Romane 82.325-26, January-June 2018, 278-81
  • ‘This slim but attractively produced volume is part of the enormously useful MHRA Critical Texts series... The volume contains a useful introduction followed by the edited text based on MS Paris, BnF, fr. 1563, fols 203r–221r. An index of proper names, a glossary, and a thorough bibliography are compiled with that meticulous attention to detail we are accustomed to nd in Cropp’s work... An invaluable edition.’ — Anne M. Scott, Parergon 36.1, 2019, 238-39

Decadent and Occult Works by Arthur Machen
Edited by Dennis Denisoff
Critical Texts 53 / Jewelled Tortoise 411 July 2018

  • ‘What’s here will certainly enliven the reading lists of many undergraduate courses on the Victorian Gothic, but, hopefully, it will also allow Machen to be seen not simply as a writer of ‘shockers’ but as a significant and distinctive contributor to the wider literature of his day. The edition is bolstered by a helpful bibliography of secondary works and a chronology of Machen’s life and times. It is well produced and very competitively priced, meaning that it should find a home on university reading lists as well as on the hungry shelves of acquisitive Machenites such as myself.’ — Nick Freeman, Volupté 1.2, Winter 2018, 165-70
  • ‘This is an invaluable scholarly edition of Machen's work which makes a thoughtful case for his profound, but idiosyncratic contribution to Decadence.’ — Timothy J. Jarvis, Faunus 38, 2018, 56
  • ‘In taking the complexities of Machen’s relationship with the Decadent movement as its starting point, Denisoff’s volume is a significant intervention. ... There is an authentic sense of the volume as a carefully curated experience... a valuable teaching edition.’ — Jane Ford, Modern Language Review 115.3, July 2020, 712-13 (full text online)

La poética de Lorenzo de Zamora: una apología de la literatura secular
Edited by Ascensión Rivas Hernández
Critical Texts 5524 March 2020

  • ‘This edition will doubtless be of use to scholars of humanist and baroque poetic theory and, more generally, to anyone with an interest in the survival and tradition of classical authors in the Spanish language.’ — Jesús-M. Nieto Ibáñez, Modern Language Review 117.3, July 2022, 507-08 (full text online)
  • ‘Este nuevo volumen de la MHRA Critical Texts, el número 55, contribuirá, sin duda, a ampliar el conocimiento de un autor no demasiado atendido y de una obra que llegará a nuevos lectores a partir de esta cuidada edición, del detallado y explicativo estudio introductorio que la antecede y la bibliografía asimismo completa que aporta.’ — Carina Zubillaga, Bulletin of Spanish Studies February 2022 (full text online)

Francisco Delicado, Retrato de la Loçana andaluza: Estudio y edición crítica
Edited by Rocío Díaz Bravo
Critical Texts 568 February 2019

Alexis Piron, Gustave-Wasa
Edited by Derek Connon
Critical Texts 578 March 2016

  • ‘Connon’s rich critical edition boasts extensive contextualization and intriguing paratexts. His wide-ranging Introduction analyses the tragedic elements of pity, terror, and character self-revelation, alongside Piron’s spirited self-defence against Prévost’s accusations of plagiarism.’ — Síofra Pierse, Modern Language Review 113.1, January 2018, 244-45 (full text online)

Commemorating Mirabeau: Mirabeau aux Champs-Elysées and other texts
Edited by Jessica Goodman
Critical Texts 581 August 2017

  • ‘In this fine book, Jessica Goodman provides the full corrected and modernized texts of five plays from the era of the French Revolution, three of them published in 1791 and two available only in manuscript... Goodman has done wonderful detective work, providing us with the performance history of the plays, the number of people likely to have seen them, and the amount the authors made on the productions... I hope that Goodman will continue to haunt the archives and bring more gems like these plays back into circulation, and I am confident that readers of her introduction and notes will find them useful and instructive.’ — Robert H. Blackman, H-France February 2018, 18.30
  • ‘In this intriguing volume, Jessica Goodman unites five texts dating from the weeks following the death of Mirabeau on 2 April 1791... Particularly interesting is her analysis of Mirabeau aux Champs-Élysées and Gouges’s authorial strategies. This volume is an important contribution to scholarship on the Revolutionary period and, more generally, to our understanding of the commemorative practices of the late eighteenth century.’ — John R. Iverson, French Studies 72.4, October 2018, 601-02

Eliza Haywood, The Fortunate Foundlings
Edited by Carol Stewart
Critical Texts 5931 May 2018

  • ‘This volume is a worthwhile read and is highly recommended.’ — unsigned notice, Forum for Modern Language Studies 55.2, April 2019, 245 (full text online)
  • ‘Carol Stewart’s new edition is of exceptional value. The volume is consistently and expertly footnoted. Historical personages are briefly identified, and likely references are offered. More importantly, Stewart’s introduction provides a brief but clear historical summary, a useful contextualization of the text in Haywood’s oeuvre, and a thoughtful analysis of the novel’s key features.’ — Matthew J. Rigilano, Eighteenth-Century Fiction 33.1, 2020, 168-71
  • ‘A key addition to Haywood scholarship, doing much to show her adroit handling of different genres as well as offering a new perspective on an author about whom there is still much to discover.’ — Jennifer Buckley, Modern Language Review 115.4, October 2020, 902-03 (full text online)

La Belle Dame qui eust mercy and Le Dialogue d'amoureux et de sa dame: A Critical Edition and English Translation of Two Anonymous Late-Medieval French Amorous Debate Poems
Edited by Joan Grenier-Winther
Critical Texts 6028 September 2018

  • ‘The poems themselves are presented with facing-page translations, in clear and idiomatic English, making this edition eminently useful for scholars and students alike.’ — unsigned notice, Medium Aevum 88, 2019, 184
  • ‘This volume is a welcome addition to studies of fifteenth-century French poetry, especially within the context of the Quarrel of the Belle dame sans mercy.’ — Joan E. McRae, Modern Language Review 115.1, 2020, 178-79 (full text online)
  • ‘Joan Grenier-Winther has provided a welcome new bilingual scholarly edition of two important poems (each about four hundred lines) out of around twenty love poems long recognized as ‘the cycle of the Belle Dame sans mercy’... Scholarship is served by the excellent Introduction, comprehensive list of variant readings, description of all manuscripts and early books up to 1617, and an extensive bibliography with separate categories for other editions, critical studies, and manuscript studies.’ — Linda Burke, French Studies 74.1, January 2020, 107-08 (full text online)

Gabriel-Marie Legouvé, La Mort d'Abel
Edited by Paola Perazzolo
Critical Texts 617 November 2016

The Blind Bow-Boy by Carl Van Vechten
Edited by Kirsten MacLeod
Critical Texts 6231 August 2018

  • ‘Kirsten MacLeod’s new MHRA Critical Texts edition of The Blind Bow-Boy makes it possible and attractive to bring Van Vechten into both the undergraduate and graduate classroom by illuminating the novel’s complex recipe for hedonism... In every sense, then, MacLeod’s framing of the novel makes it feel at once more significant and more enjoyable, and its availability now in an affordable paperback form will hopefully bring more scholars, students, and general readers into contact with its pleasures.’ — Kristin Mahoney, Textual Cultures 12.2, 2019, 144-46
  • ‘If one were to add The Blind Bow-Boy to a class on modernism, New York literature of the 1920s, or even a twentieth-century literature survey, this edition would make the work accessible to a wide range of students because it serves in itself as an excellent introduction to modernist work. Highly recommended.’ — Michelle E. Moore, Modern Language Review 116.3, July 2021, 500-01 (full text online)

Michel-Jean Sedaine: Théâtre de la Révolution
Edited by Mark Darlow
Critical Texts 6329 September 2017

  • ‘Théâtre de la Révolution is an impeccably researched edition of Michel-Jean Sedaine’s last operatic works... Sedaine’s Théâtre de la Révolution will be required reading for scholars of eighteenth-century theatre and music. Thanks to Darlow’s introduction, the work is also an essential contribution to scholarship on cultural production and policy during the Revolution... Overall, eighteenth-century French musical theatre, ignored by dix-huitièmistes for generations, has a champion in Mark Darlow and a welcome new title in his edition of Sedaine’s last librettos.’ — Logan Connors, H-France 18.95, April 2018
  • ‘This is another admirable critical edition from Darlow which sheds new light on a playwright’s transition from Ancien Régime to Revolution.’ — Clare Siviter, Modern Language Review 114.1, January 2019, 144-45 (full text online)

Francisco Nieva: Coronada y el toro
Edited by Komla Aggor
Critical Texts 6415 November 2021

  • ‘La prestigiosa editorial asentada en Cambridge Modern Humanities Research Association acaba de publicar una edición de la obra del genio español Francisco Nieva, «Coronada y el Toro», con una magnífica introducción y estudio del especialista en Nieva Komla Aggor, profesor de la Texas Christian University. «Coronada y el Toro» es una obra maestra.’ — Martín-Miguel Rubio Esteban, ABC 29 September 2020, 14
  • ‘La Modern Humanities Research Association acaba de publicar una excelente edición de la obra de Francisco Nieva, Coronada y el toro, preparada por el investigador experto en la obra de Nieva, Komla Aggor.’www.francisconieva.com September 2020

Marmontel and Demoustier, Le Misanthrope corrigé: Two Eighteenth-Century Sequels to Molière’s ‘Le Misanthrope’
Edited by Joseph Harris
Critical Texts 6531 May 2019

  • ‘This volume is an important addition to the corpus of Molière reception in the Enlightenment. The arc of Le Misanthrope’s reception can be traced back to the play’s first appearance with critical responses such as Donneau de Visé’s Lettre écrite sur la comédie du Misanthrope; but this new comparative and elucidating edition of two eighteenth-century sequels will encourage scholars and students to encompass a wider range of texts in their reflections on Molière’s audiences and adaptors.’ — Suzanne Jones, H-France 20.54, April 2020
  • ‘Harris’s Introduction is essential reading. It provides a nuanced and fine-grained analysis of the two treatments, placing them into the context of the respective authors’ careers and the wider context of eighteenth-century ideas... the volume is a very welcome publication and is sure to be of great interest to a wide audience interested in Molière and his literary posterity.’ — Mark Darlow, Modern Language Review 115.4, October 2020, 917-18 (full text online)

Aphra Behn's Emperor of the Moon and its French Source Arlequin, Empereur dans la lune
Edited by Judy A. Hayden and Daniel J. Worden
Critical Texts 6731 May 2019

Life and Death on the Plantations: Selected Jesuit Letters from the Caribbean
Edited and translated by Michael Harrigan
Critical Texts 6812 April 2021

  • ‘This book should be in the library of every university and college in which the history of slavery is taught.’ — Bertie Mandelblatt, Modern Language Review 117.4, October 2022, 718-19 (full text online)

Louis Sébastien Mercier, Comment fonder la morale du peuple: Traité d’éducation pour l’avènement d’une société nouvelle
Edited and translated by Geneviève Boucher and Michael J. Mulryan
Critical Texts 6921 August 2020

  • ‘The editors are to be thanked for making this text available in this completely bilingual MHRA edition, with not only the main text in facing-page translation, but also the editors’ Introduction and notes.’ — Jessica Stacey, Modern Language Review 117.4, October 2022, 719-20 (full text online)

Mathilde Blind: Selected Fin-de-Siècle Poetry and Prose
Edited by James Diedrick
Critical Texts 70 / Jewelled Tortoise 612 November 2021

  • ‘This book will be an indispensable new resource for students and scholars of Victorian women’s poetry, travel writing, decadence, Aestheticism, the New Woman, queer and feminist literature, and literature and science.’ — Barbara Barrow, Volupté 5.2, Autumn/Winter 2022, 149-53 (full text online)

Hubert Crackanthorpe: Selected Writings
Edited by William Greenslade and Emanuela Ettorre
Critical Texts 71 / Jewelled Tortoise 719 October 2020

  • ‘This is an informative, comprehensive, and detailed introduction to Crackanthorpe for those who know little about him. It is an illuminating companion edition for those already familiar with his dark vision of life in the 1890s, which his own life trajectory so much resembled.’ — Jad Adams, Volupté 5.1, 2022, 98–102 (full text online)
  • ‘A much-needed edition that successfully presents the range and importance of Crackanthorpe’s writing... Overall, Selected Writings is an accessible introduction to Crackanthorpe that makes proper consideration of his work alongside others of the ‘Tragic Generation’ possible. Highly recommended.’ — Jessica Gossling, Modern Language Review 118.4, October 2023, 604-06 (full text online)

Michael Field, For That Moment Only and Other Prose Works
Edited by Alex Murray and Sarah Parker
Critical Texts 72 / Jewelled Tortoise 84 July 2022

  • ‘Alex Murray’s and Sarah Parker’s edition of Michael Field’s short prose, For That Moment Only, considers the small-scale, gem-like pieces that were either lifted from the diary or specifically composed for publication. These range from essays or even sermons to sketches, impressions, vignettes, croquis, short stories and pieces of memorably poetic prose. In their excellent and detailed introduction, the editors describe croquis or prose poems as “the fragmented and fleeting poetic forms we associate with modernism”, though this notional “modernity of form” goes back not only to the 1860s, with Baudelaire’s Petits Poèmes en prose and Pater’s early essays, but also to Novalis and Schlegel as well as Coleridge.’ — Angela Leighton, Times Literary Supplement 17 February 2023

La Découverte de l’île Frivole by Gabriel-François Coyer
A Bilingual Edition by Jean-Alexandre Perras
Critical Texts 7616 September 2022