1-18 | The Number of Chaucer's Pilgrims: A Review and Reappraisal Caroline D. Eckhardtdoi:10.2307/3507166 | Cite |
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19-29 | The Sacred and the Secular in Malory's 'Tale of the Sankgreal' Charles W. Whitworthdoi:10.2307/3507167 | Cite |
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30-38 | | Cite |
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39-45 | | Cite |
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46-51 | | Cite |
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52-69 | | Cite |
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70-74 | Manuscript Source-Material for the Main Plot of Thomas Middleton's 'Women Beware Women' J. R. Mulrynedoi:10.2307/3507172 | Cite |
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75-85 | Thematic Analysis of 'The Cardinal': A New Perspective on Shirley A. P. Hogandoi:10.2307/3507173 | Cite |
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86-93 | | Cite |
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94-97 | | Cite |
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98-108 | 'Of all Fictions the Most Simple': Swift's Shared Imagery Lee Sonsteng Horsleydoi:10.2307/3507176 | Cite |
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109-114 | | Cite |
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115-129 | | Cite |
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130-135 | Unpublished Garrick Letters to Robertson and Millar James E. Tierney, David Garrickdoi:10.2307/3507179 | Cite |
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136-141 | The Duke of Newcastle's Levee in Smollett's 'Humphry Clinker' Paul-Gabriel Boucédoi:10.2307/3507180 | Cite |
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142-152 | | Cite |
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153-163 | | Cite |
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164-177 | | Cite |
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178-189 | Number-Length and Its Significance in the Novels of Anthony Trollope Mary Hamerdoi:10.2307/3507184 | Cite |
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190-206 | | Cite |
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207-213 | | Cite |
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214-224 | | Cite |
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225-242 | | Cite |
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243 | | Cite |
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244 | Review of Penelope B. R. Doob, Nebuchadnezzar's Children: Conventions of Madness in Middle English LiteratureRita Wilsondoi:10.2307/3507190 | Cite |
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244-246 | Review of Jerome Taylor, Alan H. Nelson, Medieval English Drama: Essays Critical and ContextualNeville Dennydoi:10.2307/3507191 | Cite |
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246-247 | Review of Saara Nevanlinna, The Northern Homily Cycle: The Expanded Version in MSS Harley 4196 and Cotton Tiberius E viiStella Brookdoi:10.2307/3507192 | Cite |
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247-248 | | Cite |
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248-250 | | Cite |
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250 | Review of Albert E. Hartung, A Manual of the Writings in Middle English, 1050-1500Rita Wilsondoi:10.2307/3507195 | Cite |
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250-251 | Review of Niels Bugge Hansen, That Pleasant Place: The Representation of Ideal Landscape in English Literature from the Fourteenth to the Seventeenth CenturyRobert Wilcherdoi:10.2307/3507196 | Cite |
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251-253 | | Cite |
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253-254 | Review of Malcolm A. Nelson, The Robin Hood Tradition in the English RenaissanceE. D. Pendrydoi:10.2307/3507198 | Cite |
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254-255 | Review of Roger Lee Deakins, Thomas More, Il Moro: Ellis Heywood's Dialogue in Memory of Thomas MoreLeland Milesdoi:10.2307/3507199 | Cite |
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255-257 | Review of John X. Evans, Roger Williams, The Works of Sir Roger WilliamsE. D. Pendrydoi:10.2307/3507200 | Cite |
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257-258 | Review of Elizabeth W. Pomeroy, The Elizabethan Miscellanies: Their Development and ConventionsJoan Grundydoi:10.2307/3507201 | Cite |
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258-259 | Review of Einar Bjorvand, The Concordance to Spenser's 'Fowre hymnes'R. F. Hilldoi:10.2307/3507202 | Cite |
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259-262 | Review of Philip Sidney, Jean Robertson, The Countess of Pembroke's Arcadia (The Old Arcadia)Joan Reesdoi:10.2307/3507203 | Cite |
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262-267 | | Cite |
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267-268 | Review of W. Speed Hill, Studies in Richard Hooker: Essays Preliminary to an Edition of His WorksE. D. Mackernessdoi:10.2307/3507205 | Cite |
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268-269 | Review of Richard F. Hardin, Michael Drayton and the Passing of Elizabethan EnglandJoan Grundydoi:10.2307/3507206 | Cite |
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269-270 | Review of Harriett Hawkins, Likenesses of Truth in Elizabethan and Restoration DramaStanley Wellsdoi:10.2307/3507207 | Cite |
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271-273 | Review of Alexander Leggatt, Citizen Comedy in the Age of ShakespeareBrian Gibbonsdoi:10.2307/3507208 | Cite |
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273-274 | Review of Ralph Berry, Shakespeare's Comedies: Explorations in FormR. A. Foakesdoi:10.2307/3507209 | Cite |
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274-275 | Review of Paul Gottschalk, The Meanings of 'Hamlet': Modes of Literary Interpretation since BradleyNigel Alexanderdoi:10.2307/3507210 | Cite |
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276-277 | | Cite |
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277-278 | Review of H. F. Lippincott, A Shakespeare Jestbook, Robert Armin's 'Foole upon foole' (1600): A Critical, Old-Spelling EditionJ. A. B. Somersetdoi:10.2307/3507212 | Cite |
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278-279 | Review of John R. Roberts, John Donne: An Annotated Bibliography of Modern Criticism, 1912-1967Angela Smithdoi:10.2307/3507213 | Cite |
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279-281 | | Cite |
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281-282 | Review of Jay Louis Funston, A Critical Edition of 'Love's Hospital' by George WildeAnn Haakerdoi:10.2307/3507215 | Cite |
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282-283 | Review of Samuel Butler, John Wilders, Hugh de Quehen, Hudibras Parts I and II and Selected Other WritingsJ. Donovandoi:10.2307/3507216 | Cite |
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283-284 | Review of John Dale Ebbs, The Principle of Poetic Justice Illustrated in Restoration TragedyJames Leachdoi:10.2307/3507217 | Cite |
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285-287 | Review of Ronald Eugene DiLorenzo, Thomas Duffett, Three Burlesque Plays of Thomas Duffett: The Empress of Morocco; The Mock-Tempest; Psyche Debauch'dPeter Lewisdoi:10.2307/3507218 | Cite |
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287-288 | Review of Morris Golden, The Self Observed: Swift, Johnson, WordsworthColin J. Hornedoi:10.2307/3507219 | Cite |
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288-290 | Review of Rolf P. Lessenich, Elements of Pulpit Oratory in Eighteenth-Century England (1660-1800)Irène Simondoi:10.2307/3507220 | Cite |
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290-291 | Review of Henry Fielding, O. M. Brack, Jr., William Kupersmith, Curt A. Zimansky, PasquinDouglas Brooksdoi:10.2307/3507221 | Cite |
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291-292 | Review of Tate Wilkinson, The Wandering Patentee; Or, a History of the Yorkshire Theatre from 1770 to the Present TimeArthur Colby Spraguedoi:10.2307/3507222 | Cite |
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293-299 | Review of Warren Stevenson, Divine Analogy: A Study of the Creation Motif in Blake and Coleridge; Thomas R. Frosch, The Awakening of Albion: The Renovation of the Body in the Poetry of William Blake; Andrew Wright, Blake's 'Job': A Commentary; Morton D. Paley, Michael Phillips, William Blake: Essays in Honour of Sir Geoffrey Keynes; Mona Wilson, Geoffrey Keynes, The Life of William BlakePenelope Wilsondoi:10.2307/3507223 | Cite |
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300-302 | Review of William Empson, David Pirie, Coleridge's Verse: A SelectionJohn Colmerdoi:10.2307/3507224 | Cite |
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302-304 | | Cite |
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304-305 | Review of Lloyd W. Brown, Bits of Ivory: Narrative Techniques in Jane Austen's FictionNorman Pagedoi:10.2307/3507226 | Cite |
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305-307 | | Cite |
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307-308 | Review of Orm Överland, The Making and Meaning of an American Classic: James Fenimore Cooper's 'The Prairie'George Dekkerdoi:10.2307/3507228 | Cite |
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308-309 | Review of Wilfred Converse Barton, Shelley and the New Criticism: The Anatomy of a Critical MisvaluationP. H. Butterdoi:10.2307/3507229 | Cite |
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309-310 | | Cite |
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311 | Review of Gerry H. Brookes, The Rhetorical Form of Carlyle's 'Sartor Resartus'J. L. Bradleydoi:10.2307/3507231 | Cite |
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312-314 | Review of Ralph Waldo Emerson, Ralph H. Orth, Alfred R. Ferguson, The Journals and Miscellaneous Notebooks of Ralph Waldo Emerson. Volume IX, 1843-1847; Ralph Waldo Emerson, Robert E. Spiller, Alfred R. Ferguson, The Collected Works of Ralph Waldo Emerson. Volume I, 'Nature', Addresses, and LecturesCarl Bodedoi:10.2307/3507232 | Cite |
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314-315 | | Cite |
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315-317 | Review of Joseph Gold, Charles Dickens: Radical MoralistHarvey Peter Sucksmithdoi:10.2307/3507234 | Cite |
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317-319 | Review of Robert B. Partlow, Jr., Dickens Studies Annual, Volume 2Harvey Peter Sucksmithdoi:10.2307/3507235 | Cite |
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319-320 | Review of Van Akin Burd, John James Ruskin, The Ruskin Family Letters, 1801-1843J. L. Bradleydoi:10.2307/3507236 | Cite |
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321 | | Cite |
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321-322 | | Cite |
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323-324 | Review of John Stokes, Resistible Theatres: Enterprise and Experiment in the Late Nineteenth CenturyPeter Thomsondoi:10.2307/3507239 | Cite |
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324-325 | Review of Christopher S. Nassaar, Into the Demon Universe: A Literary Exploration of Oscar WildeRussell Jacksondoi:10.2307/3507240 | Cite |
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326 | Review of Dale B. J. Randall, Joseph Conrad and Warrington Dawson: The Record of a FriendshipNorman Sherrydoi:10.2307/3507241 | Cite |
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326-328 | Review of Daniel Albright, The Myth against Myth: A Study of Yeats's Imagination in Old AgeJohn Batchelordoi:10.2307/3507242 | Cite |
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328-330 | | Cite |
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330-336 | Review of Carl Woodring, Virginia Woolf; Alice van Buren Kelley, The Novels of Virginia Woolf: Fact and Vision; Harvena Richter, Virginia Woolf: The Inward Voyage; Nancy Topping Bazin, Virginia Woolf and the Androgynous VisionJ. R. Mulrynedoi:10.2307/3507244 | Cite |
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336-338 | Review of Sandra M. Gilbert, Acts of Attention: The Poems of D. H. LawrenceR. P. Draperdoi:10.2307/3507245 | Cite |
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338-339 | Review of Kristian Smidt, The Importance of Recognition: Six Chapters on T. S. EliotD. E. S. Maxwelldoi:10.2307/3507246 | Cite |
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339-340 | Review of Michael J. C. Echeruo, Joyce Cary and the Novel of AfricaGeoffrey Waltondoi:10.2307/3507247 | Cite |
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