Holocaust Intersections: Genocide and Visual Culture at the New Millennium
Edited by Axel Bangert, Robert S. C. Gordon and Libby Saxton
Moving Image 425 September 2013

  • ‘The 'millennium' of this book's title stands for the reconstitution of Europe since the end of the Cold War - one effect of which has been an enhanced knowledge of the Holocaust based on archives in the former Eastern Bloc - and for the rise of digital media during the same period.’ — Henry K. Miller, Sight & Sound April 2014, 106

Crossing Fields in Modern Spanish Culture
Edited by Federico Bonaddio and Xon de Ros
Legenda (General Series) 1 December 2003

  • ‘Federico Bonaddio and Xon de Ros have put together a very useful series of short and punchy articles which span over a hundred and fifty years of Spanish culture, from the 1860s to the present day... Without doubt this collection would make an excellent addition to any university library. The essays on canonical texts may very well prove invaluable to undergraduate students while those on lesser-known writers, artists, and cinematographers will surely fulfil the same function for postgraduates and the academic community in general.’ — Jean Andrews, Modern Language Review 101.3, July 2006, 876-77 (full text online)

Adapting the Canon: Mediation, Visualization, Interpretation
Edited by Ann Lewis and Silke Arnold-de Simine
Transcript 128 September 2020

  • ‘A welcome addition to the thriving academic production in the field of adaptation studies; its chapters stimulate reflection on the adaptive process as a phenomenon which has always existed and that we must acknowledge as a main force in the production of new cultural prod- ucts, products that creatively engage with the sources and intermedially reactivate their vital force.’ — Maddalena Pennacchia, Journal of Adaptation in Literature and Performance 14.3, 2021, 345-47 (full text online)
  • ‘An impressively large range of media is examined from a number of theoretical and methodological perspectives, all contributions working hard to move forward the study of adaptation. Their authors share an understanding of what it means to be historical, dialogic, and intermedial. We learn a lot about the artefacts, artists, and phenomena in question, as well as about the shape of adaptation studies in the 2020s.’ — Michael Stewart, Translation and Literature 31, 2022, 136-41 (full text online)