| 8 | Bertolt Brecht's Adaptations for the Berliner Ensemble
Arrigo Subiotto•1 January 1975 |
| 100 | Between Two Worlds: The autos sacramentales of Sor Juana Inés de la Cruz
Amy Fuller•22 June 2015 |
| 21 | Character, Ideology, and Symbolism in the Plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht
M. Helena Gonçalves da Silva•1 January 1985 |
| 31 | A Critical, Old-Spelling Edition of the Birth of Merlin (Q1662)
Joanna Udall•1 January 1991 |
| 49 | Divided Loyalties: East German Writers and the Politics of German Division 1945-1953
Peter Davies
this title is also Bithell Series of Dissertations 24•1 January 2000 |
| 91 | El camino inverso: del cine al teatro: La vida en un hilo, de Edgar Neville y Mi adorado Juan, de Miguel Mihura
Joanna Bardzińska•1 May 2014 |
| 16 | Georg Büchner's 'Dantons Tod': A Reappraisal
Dorothy James•1 January 1982 |
| 81 | Private Lives and Collective Destinies: Class, Nation and the Folk in the Works of Gustav Freytag (1816-1895)
Benedict Schofield
this title is also Bithell Series of Dissertations 37•30 May 2012 |
| 13 | The Realism of Luigi Capuana: Theory and Practice in the Development of Late Nineteenth-Century Italian Realism
Judith Davies•1 January 1979 |
| 45 | Reception and Renewal in Modern Spanish Theatre: 1939-1963
John London•1 January 1997 |
| 83 | The Signifying Self: Cervantine Drama as Counter-Perspective Aesthetic
Melanie Henry•1 February 2013 |
| 7 | Voltaire's Disciple: Jean François de La Harpe
Christopher Todd•1 January 1972 |
| 46 | Welttheater: Hofmannsthal, Richard von Kralik, and the Revival of Catholic Drama in Austria, 1890-1934
Judith Beniston
this title is also Bithell Series of Dissertations 23•1 January 1998 |