Voltaire's Disciple: Jean François de La Harpe
Christopher Todd
MHRA Texts and Dissertations 7•1 January 1972
Bertolt Brecht's Adaptations for the Berliner Ensemble
Arrigo Subiotto
MHRA Texts and Dissertations 8•1 January 1975
The Realism of Luigi Capuana: Theory and Practice in the Development of Late Nineteenth-Century Italian Realism
Judith Davies
MHRA Texts and Dissertations 13•1 January 1979
Georg Büchner's 'Dantons Tod': A Reappraisal
Dorothy James
MHRA Texts and Dissertations 16•1 January 1982
Character, Ideology, and Symbolism in the Plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht
M. Helena Gonçalves da Silva
MHRA Texts and Dissertations 21•1 January 1985
A Critical, Old-Spelling Edition of the Birth of Merlin (Q1662)
Joanna Udall
MHRA Texts and Dissertations 31•1 January 1991
Reception and Renewal in Modern Spanish Theatre: 1939-1963
John London
MHRA Texts and Dissertations 45•1 January 1997
Welttheater: Hofmannsthal, Richard von Kralik, and the Revival of Catholic Drama in Austria, 1890-1934
Judith Beniston
Bithell Series of Dissertations 23 / MHRA Texts and Dissertations 46•1 January 1998
Divided Loyalties: East German Writers and the Politics of German Division 1945-1953
Peter Davies
Bithell Series of Dissertations 24 / MHRA Texts and Dissertations 49•1 January 2000
Private Lives and Collective Destinies: Class, Nation and the Folk in the Works of Gustav Freytag (1816-1895)
Benedict Schofield
Bithell Series of Dissertations 37 / MHRA Texts and Dissertations 81•30 May 2012
- ‘Schofield’s unprecedented and skillful incorporation of the author’s entire oeuvre has made a real and lasting contribution to nineteenth-century scholarship.’ — Alyssa Howards, German Quarterly 86, 2013, 489-90
- ‘Represents a valuable contribution to the field and enhances our understanding of Freytag’s strategy and agenda in no small measure.’ — Florian Krobb, Modern Language Review 109, 2014, 556-58 (full text online)
- ‘This is the only comprehensive work on Freytag that I know of, at least in our time. It is thoroughly researched... The criticism is exacting and precise.’ — Jeffrey L. Sammons, Monatshefte 106, 2014, 312-15
The Signifying Self: Cervantine Drama as Counter-Perspective Aesthetic
Melanie Henry
MHRA Texts and Dissertations 83•1 February 2013
El camino inverso: del cine al teatro: La vida en un hilo, de Edgar Neville y Mi adorado Juan, de Miguel Mihura
Joanna Bardzińska
MHRA Texts and Dissertations 91•1 May 2014
- ‘Bardzińska has provided the reader with a wealth of detail and the text will be of interest to scholars of the ‘otra generación’, and of value to those researching Neville, Mihura and/or their works created for screen and stage, as well as those interested in approaches to reverse adaptation more broadly.’ — Rhiannon McGlade, Bulletin of Spanish Studies 94, 2017, 1246-47
Between Two Worlds: The autos sacramentales of Sor Juana Inés de la Cruz
Amy Fuller
MHRA Texts and Dissertations 100•22 June 2015