| Voltaire's Disciple: Jean François de La Harpe
Christopher Todd
MHRA Texts and Dissertations 7•1 January 1972 |
| Bertolt Brecht's Adaptations for the Berliner Ensemble
Arrigo Subiotto
MHRA Texts and Dissertations 8•1 January 1975 |
| The Realism of Luigi Capuana: Theory and Practice in the Development of Late Nineteenth-Century Italian Realism
Judith Davies
MHRA Texts and Dissertations 13•1 January 1979 |
| Georg Büchner's 'Dantons Tod': A Reappraisal
Dorothy James
MHRA Texts and Dissertations 16•1 January 1982 |
| Character, Ideology, and Symbolism in the Plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht
M. Helena Gonçalves da Silva
MHRA Texts and Dissertations 21•1 January 1985 |
| A Critical, Old-Spelling Edition of the Birth of Merlin (Q1662)
Joanna Udall
MHRA Texts and Dissertations 31•1 January 1991 |
| Reception and Renewal in Modern Spanish Theatre: 1939-1963
John London
MHRA Texts and Dissertations 45•1 January 1997 |
| Welttheater: Hofmannsthal, Richard von Kralik, and the Revival of Catholic Drama in Austria, 1890-1934
Judith Beniston
Bithell Series of Dissertations 23 / MHRA Texts and Dissertations 46•1 January 1998 |
| Divided Loyalties: East German Writers and the Politics of German Division 1945-1953
Peter Davies
Bithell Series of Dissertations 24 / MHRA Texts and Dissertations 49•1 January 2000 |
| Private Lives and Collective Destinies: Class, Nation and the Folk in the Works of Gustav Freytag (1816-1895)
Benedict Schofield
Bithell Series of Dissertations 37 / MHRA Texts and Dissertations 81•30 May 2012 |
| The Signifying Self: Cervantine Drama as Counter-Perspective Aesthetic
Melanie Henry
MHRA Texts and Dissertations 83•1 February 2013 |
| El camino inverso: del cine al teatro: La vida en un hilo, de Edgar Neville y Mi adorado Juan, de Miguel Mihura
Joanna Bardzińska
MHRA Texts and Dissertations 91•1 May 2014 |
| Between Two Worlds: The autos sacramentales of Sor Juana Inés de la Cruz
Amy Fuller
MHRA Texts and Dissertations 100•22 June 2015 |