See also the home page of the Texts and Translations book series New Translations

Published November 2016

Corín Tellado, Thursdays with Leila
Translated by Duncan Wheeler, with an introduction by Diana Holmes and Duncan Wheeler, and a prologue by Mario Vargas Llosa
New Translations 9

  • ‘La estimable traducción al inglés de Los jueves de Leila, por parte de los profesores Duncan Wheeler y Diana Holmes, uno de los más conocidos relatos de Corín Tellado y que inicia la serie: “Querer es poder”, abre la puerta al género romántico de esta prolí ca escritora asturiana al mundo anglosajón.’ — Estefanía Tocado, Hispania 101.2, June 2018, 344-45
  • ‘Wheeler’s translation of Thursdays with Leila captures the informal, non-demanding style of Tellado’s writing, and this particular novel was a very good choice for translation as it illustrates most of the dominant characteristics of her fiction.’ — Patricia O’Byrne, Bulletin of Spanish Studies 95, 2018, 905-06

Published August 2018

In Defence of Women
Translated by Joanna M. Barker
New Translations 14

  • ‘With this edition, Barker provides a detailed account of an intellectual debate in eighteenth-century Spain that holds great relevance for contemporary scholarship in women's studies, European history and literary studies, among other fields.’ — Leslie J. Harkema, Bulletin of Spanish Studies 96, 2019, 1715-16

Published March 2022

Ramón María del Valle Inclán, Savage Comedies
Translated and edited by Christopher Colbath and Luis M. González
New Translations 15

  • ‘Gracias a este nuevo volumen que nos ofrece la Modern Humanities Research Association, el público de habla inglesa tendrá la oportunidad de adentrarse en el universo valleinclaniano, disfrutar de la lectura de las Comedias bárbaras, y valorar las importantes contribuciones hechas por Valle-Inclán a la literatura española y al teatro modernista europeo.’ — Mercedes Tasende, Bulletin of Spanish Studies 99, 2022, 915-16
  • ‘Colbath and González explain that in translating the three texts their principal aim was to “be faithful first and foremost to the uncanny and beautiful atmospheres conjured up in the text” (16) and their success in this endeavor is to be applauded. Noting Valle-Inclán’s rich polyphonic style, they point to the texts’ abrupt transitions among discursive registers: colloquialisms shift into courtly language which then shifts into archaic diction. Colbath and González handle these linguistic challenges deftly, producing a translation that is both readable and protective of the linguistic diversity of the original. Difficult for native speakers of Spanish, Valle-Inclán’s language is very challenging for non-native speakers. Colbath and González’s translation opens up the late nineteenth-century world created by Valle-Inclán to both an English-reading general audience and students interested in Valle-Inclán and his particular take on literary modernism.’ — Elizabeth Drumm, Hispania 106.2, June 2023, 343-44 (full text online)