Corín Tellado, Thursdays with Leila
Translated by Duncan Wheeler, with an introduction by Diana Holmes and Duncan Wheeler, and a prologue by Mario Vargas Llosa
New Translations 915 November 2016

  • ‘La estimable traducción al inglés de Los jueves de Leila, por parte de los profesores Duncan Wheeler y Diana Holmes, uno de los más conocidos relatos de Corín Tellado y que inicia la serie: “Querer es poder”, abre la puerta al género romántico de esta prolí ca escritora asturiana al mundo anglosajón.’ — Estefanía Tocado, Hispania 101.2, June 2018, 344-45
  • ‘Wheeler’s translation of Thursdays with Leila captures the informal, non-demanding style of Tellado’s writing, and this particular novel was a very good choice for translation as it illustrates most of the dominant characteristics of her fiction.’ — Patricia O’Byrne, Bulletin of Spanish Studies 95, 2018, 905-06

Bodies and Texts: Configurations of Identity in the Works of Albalucía Ángel, Griselda Gambaro, and Laura Esquivel
Claire Taylor
MHRA Texts and Dissertations 591 January 2004

  • ‘[Taylor's] innovative way of reading offers significant possibilities for the interpretation of other postmodern texts, and particularly those by women. Her study represents an important contribution to the study of Spanish-American feminism, and has broad and intriguing future application.’ — Susan Carvalho, Bulletin of Spanish Studies 83.2, 2006, 301-02

Configuring Community: Theories of Community Identities in Contemporary Spain
Parvati Nair
MHRA Texts and Dissertations 611 January 2004

Narrative and National Allegory in Rómulo Gallegos's Venezuela
Jenni M. Lehtinen
MHRA Texts and Dissertations 8831 January 2013

  • ‘Lehtinen’s book will remain an indispensable contribution to the critical corpus on Gallegos and to Venezuelan studies in general.’ — Juan Pablo Lupi, Bulletin of Spanish Studies 93, 2016, 543
  • ‘Lehtinen’s book is of interest to established Gallegos scholars and students alike, both accessible and offering up new critical insights. Moreover, it should also be on the radar of Venezuelan scholars more generally, since it is a study that requires us to consider how contemporary and future Venezuelan authors respond to, perpetuate, or depart from the narrative strategies and trajectories traced in and through Gallegos’s œuvre.’ — Nicholas Roberts, Modern Language Review 111.4, October 2016, 1151-52 (full text online)

The Making of Jorge Luis Borges as an Argentine Cultural Icon
Mariana Casale O'Ryan
MHRA Texts and Dissertations 991 May 2014