Series | Extent | Year | Author | Title |
CT 64 | — | 2021 | ed Komla Aggor | Francisco Nieva: Coronada y el toro |
SHLC 33 | — | 2019 | Carla Almanza-Gálvez | Form and Reform in Eighteenth-Century Spain |
CT 38 | — | 2014 | ed K. Anipa | Juan de Valdés, Diálogo de la lengua |
LGS | 288pp | 2008 | ed J. A. G. Ardila | The Cervantean Heritage |
LGS | 142pp | 2011 | ed Rhian Atkin | Textual Wanderings |
SICL 31 | — | 2014 | Kate Averis | Exile and Nomadism in French and Hispanic Women's Writing |
LGS | — | 2007 | Kathy Bacon | Negotiating Sainthood |
SHLC 39 | — | 2020 | Catherine Barbour | Contemporary Galician Women Writers |
TD 91 | — | 2014 | Joanna Bardzińska | El camino inverso: del cine al teatro |
NT 14 | — | 2018 | tr Joanna M. Barker | In Defence of Women |
NT 16 | — | 2024 | tr María Bastianes, Alma Prelec | Pablo Messiez, The Eyes |
SHLC 4 | 188pp | 2014 | Lucy Bell | The Latin American Short Story at its Limits |
SHLC 40 | — | 2019 | Sander Berg | The Marvellous and the Miraculous in María de Zayas |
T 11 | — | 2024 | Tovi Bibring | The Patient, the Impostor and the Seducer |
LGS | — | 2012 | Tom Boll | Octavio Paz and T. S. Eliot |
MI 11 | — | 2022 | ed Ben Bollig, David M. J. Wood | The Poetry-Film Nexus in Latin America |
LGS | 200pp | 2003 | ed Federico Bonaddio, Xon de Ros | Crossing Fields in Modern Spanish Culture |
LGS | — | 2011 | Sarah E. L. Bowskill | Gender, Nation and the Formation of the Twentieth-Century Mexican Literary Canon |
SHLC 54 | — | 2022 | Jade Boyd | The Experience of Colour in Lorca's Theatre |
SHLC 3 | 232pp | 2014 | ed Stephen Boyd, Terence O'Reilly | Artifice and Invention in the Spanish Golden Age |
SHLC 27 | — | 2019 | ed Stephen Boyd, Trudi L. Darby, Terence O'Reilly | The Art of Cervantes in Don Quixote |
SHLC 51 | — | 2024 | Lucia Brandi | Tutunakú |
CT 56 | — | 2019 | ed Rocío Díaz Bravo | Francisco Delicado, Retrato de la Loçana andaluza |
SHLC 14 | — | 2016 | ed Dylan Brennan, Nuala Finnegan | Rethinking Juan Rulfo’s Creative World |
SICL 58 | — | 2025 | Jacobo de Camps | Walter Benjamin’s Calderón |