Gaunt, Simon, ‘Sexual Difference and the Metaphor of Language in a Troubadour Poem’, in Modern Language Review, 83.2 (1988), pp. 297–313, doi:10.2307/3731681

Gaunt, Simon, ‘Poetry of Exclusion: A Feminist Reading of Some Troubadour Lyrics’, in Modern Language Review, 85.2 (1990), pp. 310–29, doi:10.2307/3731812

Gaunt, Simon, review of Laura Kendrick, The Game of Love: Troubadour Wordplay, in Modern Language Review, 85.3 (1990), pp. 721–22, doi:10.2307/3732244

Gaunt, Simon, review of Ruth Verity Sharman, The Cansos and Sirventes of the Troubadour Giraut de Borneil: A Critical Edition, in Modern Language Review, 86.2 (1991), pp. 444–46, doi:10.2307/3730581

Gaunt, Simon, review of Costanzo di Girolamo, I trovatori, in Modern Language Review, 86.4 (1991), p. 1014, doi:10.2307/3732596

Gaunt, Simon, review of Eiichi Hishikawa, A Concordance to Arnaut Daniel's Poems, in Modern Language Review, 86.4 (1991), pp. 1015–16, doi:10.2307/3732598

Gaunt, Simon, review of Stefano Asperti, Il trovatore Raimon Jordan, in Modern Language Review, 87.4 (1992), pp. 970–71, doi:10.2307/3731479

Gaunt, Simon, review of Angelica Rieger, Trobairitz: der Beitrag der Frau in der altokzitanischen höfischen Lyrik: Edition des Gesamtkorpus, in Modern Language Review, 89.1 (1994), pp. 209–10, doi:10.2307/3733192