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23The Art of Comparison: How Novels and Critics Compare
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34Leopardi and Shelley: Discovery, Translation and Reception
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22Rethinking the Concept of the Grotesque: Crashaw, Baudelaire, Magritte
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36The Modern Culture of Reginald Farrer: Landscape, Literature and Buddhism
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25Prometheus in the Nineteenth Century: From Myth to Symbol
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3Aeneas Takes the Metro: The Presence of Virgil in Twentieth-Century French Literature
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21Blake, Lavater and Physiognomy
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18Turning into Sterne: Viktor Shklovskii and Literary Reception
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32Samuel Butler against the Professionals: Rethinking Lamarckism 1860–1900
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17Alienation and Theatricality: Diderot after Brecht
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33Byron, Shelley, and Goethe’s Faust: An Epic Connection
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9Dilettantism and its Values: From Weimar Classicism to the fin de siècle
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54Metaphor in European Philosophy after Nietzsche: An Intellectual History
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26Architecture, Travellers and Writers: Constructing Histories of Perception 1640-1950
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45Scenographies of Perception: Sensuousness in Hegel, Novalis, Rilke, and Proust
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52A Poetics of the Image: Paul Celan and André du Bouchet
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27Comparative Literature in Britain: National Identities, Transnational Dynamics 1800-2000
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50Words Like Fire: Prophecy and Apocalypse in Apollinaire, Marinetti and Pound
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53Residual Figuration in Samuel Beckett and Alberto Giacometti
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2Hölderlin and the Dynamics of Translation
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13Moving Scenes: The Aesthetics of German Travel Writing on England 1783-1830
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19Yeats and Pessoa: Parallel Poetic Styles
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29Iris Murdoch and Elias Canetti: Intellectual Allies
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24Borges and Joyce: An Infinite Conversation
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