| Series | Extent | Year | Author | Title |
| SICL 1 | 542pp | 1997 | S. S. Prawer | Breeches and Metaphysics |
| SICL 3 | 238pp | 1999 | Fiona Cox | Aeneas Takes the Metro |
| SICL 4 | 384pp | 2000 | Peter D. Smith | Metaphor and Materiality |
| SICL 9 | — | 2006 | Richard Hibbitt | Dilettantism and its Values |
| SICL 10 | — | 2006 | Claire Whitehead | The Fantastic in France and Russia in the Nineteenth Century |
| SICL 14 | — | 2008 | Angus Wrenn | Henry James and the Second Empire |
| SICL 18 | 172pp | 2010 | Emily Finer | Turning into Sterne |
| SICL 23 | — | 2011 | Catherine Brown | The Art of Comparison |
| SICL 24 | 204pp | 2011 | Patricia Novillo-Corvalán | Borges and Joyce |
| SICL 28 | — | 2013 | Sotirios Paraschas | The Realist Author and Sympathetic Imagination |
| SICL 32 | 208pp | 2015 | David Gillott | Samuel Butler against the Professionals |
| SICL 40 | 178pp | 2022 | Georgia Panteli | From Puppet to Cyborg |
| SICL 41 | — | 2018 | Clementina Osti | Utopian Identities |
| SICL 43 | — | 2017 | Robert K. Weninger | Sublime Conclusions |
| SICL 47 | 148pp | 2019 | Olga G. Voronina | Depicting the Divine |
| SICL 50 | — | 2022 | James P. Leveque | Words Like Fire |
| SICL 56 | — | 2021 | Elisa Segnini | Fragments, Genius and Madness |