| 3 | Aeneas Takes the Metro: The Presence of Virgil in Twentieth-Century French Literature
Fiona Cox•1 July 1999 |
| 20 | Aestheticism and the Philosophy of Death: Walter Pater and Post-Hegelianism
Giles Whiteley•12 April 2010 |
| 17 | Alienation and Theatricality: Diderot after Brecht
Phoebe von Held•25 March 2011 |
| 23 | The Art of Comparison: How Novels and Critics Compare
Catherine Brown•12 May 2011 |
| 24 | Borges and Joyce: An Infinite Conversation
Patricia Novillo-Corvalán•4 February 2011 |
| 1 | Breeches and Metaphysics: Thackeray's German Discourse
S. S. Prawer•1 November 1997 |
| 27 | Comparative Literature in Britain: National Identities, Transnational Dynamics 1800-2000
Joep Leerssen•23 September 2019 |
| 47 | Depicting the Divine: Mikhail Bulgakov and Thomas Mann
Olga G. Voronina•23 April 2019 |
| 9 | Dilettantism and its Values: From Weimar Classicism to the fin de siècle
Richard Hibbitt•24 May 2006 |
| 10 | The Fantastic in France and Russia in the Nineteenth Century: In Pursuit of Hesitation
Claire Whitehead•24 May 2006 |
| 56 | Fragments, Genius and Madness: Masks and Mask-Making in the fin-de-siècle Imagination
Elisa Segnini•26 July 2021 |
| 40 | From Puppet to Cyborg: Pinocchio’s Posthuman Journey
Georgia Panteli•28 April 2022 |
| 14 | Henry James and the Second Empire
Angus Wrenn•23 December 2008 |
| 16 | Imagining Jewish Art: Encounters with the Masters in Chagall, Guston, and Kitaj
Aaron Rosen•17 July 2009 |
| 4 | Metaphor and Materiality: German Literature and the World-View of Science 1780-1955
Peter D. Smith•1 June 2000 |
| 54 | Metaphor in European Philosophy after Nietzsche: An Intellectual History
Andrew Hines•28 September 2020 |
| 36 | The Modern Culture of Reginald Farrer: Landscape, Literature and Buddhism
Michael Charlesworth•26 February 2018 |
| 7 | Neither a Borrower: Forging Traditions in French, Chinese and Arabic Poetry
Richard Serrano•1 May 2002 |
| 35 | Oscar Wilde and the Simulacrum: The Truth of Masks
Giles Whiteley•1 July 2015 |
| 52 | A Poetics of the Image: Paul Celan and André du Bouchet
Julian J. I. Koch•10 December 2021 |
| 25 | Prometheus in the Nineteenth Century: From Myth to Symbol
Caroline Corbeau-Parsons•3 June 2013 |
| 28 | The Realist Author and Sympathetic Imagination
Sotirios Paraschas•28 May 2013 |
| 53 | Residual Figuration in Samuel Beckett and Alberto Giacometti
Lin Li•7 June 2022 |
| 22 | Rethinking the Concept of the Grotesque: Crashaw, Baudelaire, Magritte
Shun-Liang Chao•12 April 2010 |
| 51 | Rethinking the Human in the Darwinian Novel: Zola, Hardy, and Utopian Fiction
Niall Sreenan  •1 March 2025 |
| 32 | Samuel Butler against the Professionals: Rethinking Lamarckism 1860–1900
David Gillott•16 March 2015 |
| 48 | Samuel Butler and the Science of the Mind: Evolution, Heredity and Unconscious Memory
Cristiano Turbil•28 September 2020 |
| 43 | Sublime Conclusions: Last Man Narratives from Apocalypse to Death of God
Robert K. Weninger•29 September 2017 |
| 18 | Turning into Sterne: Viktor Shklovskii and Literary Reception
Emily Finer•23 April 2010 |
| 41 | Utopian Identities: A Cognitive Approach to Literary Competitions
Clementina Osti•22 August 2018 |
| 58 | Walter Benjamin’s Calderón: Literary Criticism and the Baroque
Jacobo de Camps •1 March 2025 |
| 50 | Words Like Fire: Prophecy and Apocalypse in Apollinaire, Marinetti and Pound
James P. Leveque•28 April 2022 |
| 19 | Yeats and Pessoa: Parallel Poetic Styles
Patricia Silva McNeill•23 April 2010 |