Camps, Jacobo de, Walter Benjamin’s Calderón: Literary Criticism and the Baroque, Studies In Comparative Literature, 58 (Legenda, 2025)

Held, Phoebe von, Alienation and Theatricality: Diderot after Brecht, Studies In Comparative Literature, 17 (Legenda, 2011)

Hewitt, Ben, Byron, Shelley, and Goethe’s Faust: An Epic Connection, Studies In Comparative Literature, 33 (Legenda, 2015)

Hibbitt, Richard, Dilettantism and its Values: From Weimar Classicism to the fin de siècle, Studies In Comparative Literature, 9 (Legenda, 2006)

Hines, Andrew, Metaphor in European Philosophy after Nietzsche: An Intellectual History, Studies In Comparative Literature, 54 (Legenda, 2020)

Jany, Christian, Scenographies of Perception: Sensuousness in Hegel, Novalis, Rilke, and Proust, Studies In Comparative Literature, 45 (Legenda, 2019)

Koch, Julian J. I., A Poetics of the Image: Paul Celan and André du Bouchet, Studies In Comparative Literature, 52 (Legenda, 2021)

Louth, Charlie, Hölderlin and the Dynamics of Translation, Studies In Comparative Literature, 2 (Legenda, 1998)

Martin, Alison E., Moving Scenes: The Aesthetics of German Travel Writing on England 1783-1830, Studies In Comparative Literature, 13 (Legenda, 2008)

Morley, Elaine, Iris Murdoch and Elias Canetti: Intellectual Allies, Studies In Comparative Literature, 29 (Legenda, 2013)

Paraschas, Sotirios, The Realist Author and Sympathetic Imagination, Studies In Comparative Literature, 28 (Legenda, 2013)

Smith, Peter D., Metaphor and Materiality: German Literature and the World-View of Science 1780-1955, Studies In Comparative Literature, 4 (Legenda, 2000)

Voronina, Olga G., Depicting the Divine: Mikhail Bulgakov and Thomas Mann, Studies In Comparative Literature, 47 (Legenda, 2019)

Weninger, Robert K., Sublime Conclusions: Last Man Narratives from Apocalypse to Death of God, Studies In Comparative Literature, 43 (Legenda, 2017)

Wolff, Lynn L. (ed.), A Modernist in Exile: The International Reception of H. G. Adler (1910-1988), Studies In Comparative Literature, 42 (Legenda, 2019)