| Series | Extent | Year | Author | Title |
| SICL 3 | 238pp | 1999 | Fiona Cox | Aeneas Takes the Metro |
| SICL 5 | 214pp | 2000 | Nigel Saint | Marguerite Yourcenar |
| SICL 7 | 248pp | 2002 | Richard Serrano | Neither a Borrower |
| SICL 8 | 192pp | 2005 | ed Toby Garfitt, Edith McMorran, Jane Taylor | The Anatomy of Laughter |
| SICL 9 | — | 2006 | Richard Hibbitt | Dilettantism and its Values |
| SICL 10 | — | 2006 | Claire Whitehead | The Fantastic in France and Russia in the Nineteenth Century |
| SICL 11 | — | 2007 | Dimitris Papanikolaou | Singing Poets |
| SICL 22 | 196pp | 2010 | Shun-Liang Chao | Rethinking the Concept of the Grotesque |
| SICL 28 | — | 2013 | Sotirios Paraschas | The Realist Author and Sympathetic Imagination |
| SICL 31 | — | 2014 | Kate Averis | Exile and Nomadism in French and Hispanic Women's Writing |
| SICL 43 | — | 2017 | Robert K. Weninger | Sublime Conclusions |
| SICL 45 | — | 2019 | Christian Jany | Scenographies of Perception |
| SICL 56 | — | 2021 | Elisa Segnini | Fragments, Genius and Madness |
| SICL 50 | — | 2022 | James P. Leveque | Words Like Fire |
| SICL 53 | — | 2022 | Lin Li | Residual Figuration in Samuel Beckett and Alberto Giacometti |