| Series | Extent | Year | Author | Title |
| SHLC 4 | 188pp | 2014 | Lucy Bell | The Latin American Short Story at its Limits |
| SHLC 54 | 136pp | 2022 | Jade Boyd | The Experience of Colour in Lorca's Theatre |
| SHLC 14 | 230pp | 2016 | ed Dylan Brennan, Nuala Finnegan | Rethinking Juan Rulfo’s Creative World |
| SHLC 7 | 148pp | 2015 | Katia Chornik | Alejo Carpentier and the Musical Text |
| SHLC 49 | 188pp | 2022 | Miguel García | Queering Lorca’s Duende |
| SHLC 30 | 322pp | 2020 | Anna Kathryn Kendrick | Humanizing Childhood in Early Twentieth-Century Spain |
| SHLC 1 | — | 2014 | C. A. Longhurst | Unamuno’s Theory of the Novel |
| SHLC 56 | — | 2022 | Deborah Madden | Matilde de la Torre |
| SHLC 5 | — | 2014 | David Miranda-Barreiro | Spanish New York Narratives 1898-1936 |
| SHLC 26 | 206pp | 2017 | Katharine Murphy | Bodies of Disorder |
| SHLC 44 | — | 2020 | Manus O’Dwyer | Memory and Utopia |
| SHLC 25 | — | 2019 | Nicholas Roberts | Cortázar and Music |
| SHLC 24 | 232pp | 2017 | ed Xon de Ros, Daniela Omlor | The Cultural Legacy of María Zambrano |
| SHLC 34 | 188pp | 2019 | Rocío Rødtjer | Women and Nationhood in Restoration Spain 1874-1931 |