Intellectual Life and Literature at Solovki 1923-1930: The Paris of the Northern Concentration Camps
Andrea Gullotta
Legenda (General Series) •15 January 2018
- ‘Small and remote as it is, Solovki has always been central to Russian culture. Nearly all the central themes of Russian history — the power and schisms of the Orthodox Church and its intimacy with the state; the development of the Gulag — are reflected, or more often anticipated, in its history... The legacy of the Terror remains a battlefield. Books as scrupulously researched as Gullotta’s are invaluable.’ — Robert Chandler, Financial Times 27 April 2018
- ‘Gullotta’s case study of the SLON camp serves as a model for studies of Gulag writing, and makes a bold statement in favor of a new, synthesizing discourse about Gulag literature... All students of Russian literature and of the human condition owe a debt to Andrea Gullotta, who has tread on virgin snow, following in no one’s footsteps.’ — Lydia Roberts, Los Angeles Review of Books 3 May 2018
- ‘Gullotta’s scholarly, in-depth but quite readable book primarily examines the content of the printed output of work from Solovki in the early period 1923-30 and also considers the circumstances of its production, including the constantly shifting and always ambivalent relations between prisoners and camp administration.’ — Trevor Pateman, Reading This Book Online, 2018
- ‘Gullotta’s commendable study opens up a new area of Gulag research and adds considerably to our knowledge of the literature of the Soviet labour camps.’ — Sarah J. Young, Slavonic and East European Review 98.3, July 2020, 563-65 (full text online)
- ‘An invaluable addition to a growing body of texts dedicated to understanding the multifaceted and complex cultural arena of Soviet labour camps. Gullotta effectively captures the uniqueness and plurality of the Solovki camp experience, preserving the many voices of the camp for future generations of historians and researchers.’ — Julie Draskoczy Zigoris, Modern Language Review 116.3, July 2021, 521-23 (full text online)
A Captive of the Dawn: The Life and Work of Peretz Markish (1895-1952)
Edited by Joseph Sherman, Gennady Estraikh, Jordan Finkin and David Shneer
Studies In Yiddish 9•25 March 2011
- ‘This volume is not only the best study of Markish’s career available in English — it is the only one. And yet, one could not hope for a better treatment of its worthy subject... Given Markish’s signiicance to the development of Yiddish literature in Poland as well as the Soviet Union, there is no doubt that any scholar of Yiddish will consult these essays frequently and gratefully.’ — Marc Caplan, Slavonic and East European Review 92.2, April 2014, 321-23 (full text online)
Verse Form and Meaning in the Poetry of Vladimir Maiakovskii: Vladimir Maiakovskii. Tragediaa; Oblako v shtanakh; Fleita-pozvonochnik; Chelovek; Liubliu; Pro eto
Robin Aizlewood
MHRA Texts and Dissertations 26•1 January 1989
The Ethics of the Poet: Marina Tsvetaeva's Art in the Light of Conscience
Ute Stock
MHRA Texts and Dissertations 62•1 May 2005
- ‘This book is an important contribution to Tsvetaeva studies, and its examination of an overlooked aspect of the poet’s work should provoke many readers to return to the texts it discusses, open to new insight and wary of categorical judgements.’ — Katharine Hodgson, Modern Language Review 102, 2007, 610 (full text online)
- ‘This is an important and serious study of Tsvetaeva's ethical poetics as it evolved in exile... The study provides an important addition to the existing critical literature on the poet and her thought.’ — Greta Slobin, Russian Review 67, 2008, 327-28