Published April 2006

Modern Language Review 101.2

including:

Review of Laura Giannetti, Guido Ruggiero, Five Comedies from the Italian Renaissance
Ronnie Ferguson
doi:10.2307/20466847

Published April 2010

Modern Language Review 105.2

including:

Review of Angelo Beolco (Il Ruzante), Linda L. Carroll, La prima oratione
Ronnie Ferguson
doi:10.2307/25698763

Published September 2013

The Tradition of the Actor-Author in Italian Theatre
Edited by Donatella Fischer
Italian Perspectives 27

including:

‘Perché molte cose stanno ben nella penna che nella scena starebben male’: Reading Between the Lines of the Surviving Ruzante Texts
Ronnie Ferguson
  • ‘This is a broad-ranging collection of essays from expert contributors... All sixteen articles, while serving to highlight different periods of theatrical history, revolve around what is widely recognized by now as a constant and distinctive feature of Italian theatre: the centrality of the players and their fundamental dramaturgic role.’ — Francesca Savoia, Modern Language Review 110.3, July 2015, 885-87 (full text online)

Published July 2021

Venetian Inscriptions: Vernacular Writing for Public Display in Medieval and Renaissance Venice
Ronnie Ferguson
Italian Perspectives 50

including:

Part I A Body of Venetian Public Texts C. 1300-C. 1525
Ronnie Ferguson
doi:10.2307/j.ctv1wsgrcj.5
PART II The Medium and the Message
Ronnie Ferguson
doi:10.2307/j.ctv1wsgrcj.6
PART III Corpus: Edition, Translation and Commentary
Ronnie Ferguson
doi:10.2307/j.ctv1wsgrcj.7
INDEX (1) Inscriptional Persons
Ronnie Ferguson
doi:10.2307/j.ctv1wsgrcj.8
INDEX (2) By Present Location
Ronnie Ferguson
doi:10.2307/j.ctv1wsgrcj.9
INDEX (3) Commented Words, Constructions and Linguistic Features
Ronnie Ferguson
doi:10.2307/j.ctv1wsgrcj.10
Bibliography
Ronnie Ferguson
doi:10.2307/j.ctv1wsgrcj.11
  • ‘The rigorous standards of the author’s nearly decade-long project will certainly satisfy professional historians, but lay readers too will find themselves thoroughly engaged by the manner in which he uses each inscription vividly to evoke multiple aspects of Venice’s social, religious, cultural and political life, as well as the characters of some remarkable individuals.’ — Roderick Conway Morris, Times Literary Supplement 21 January 2022
  • ‘A short review cannot do justice to the rich array of insights and ideas that thread through this fascinating book, nor can it reflect the dedication and time that were needed to compile the catalogue. Ranging from the familiar to the seemingly unnoticed, these inscriptions add myriad fragments to the enormous jigsaw of the townscape of late medieval and Renaissance Venice.’ — Deborah Howard, Burlington Magazine 165, February 2023, 207-08
  • ‘The Italian Perspectives series, founded by Zygmunt Barański and Laura Lepschy in 1998, reaches its half-century in impressive fashion with this outstanding work of scholarship... As well as making a major contribution to epigraphy, the volume includes a wealth of information on the urban fabric, society, culture, and language that will make it an invaluable resource for Venetian Studies during the transition from the Middle Ages to the Renaissance.’ — Brian Richardson, Modern Language Review 118.2, 2023, 258-60 (full text online)