| Series | Extent | Year | Author | Title |
| IP 37 | — | 2016 | ed Stefano Jossa,
Giuliana Pieri | Chivalry, Academy, and Cultural Dialogues |
| IP 46 | — | 2020 | Cecilia Muratori | Renaissance Vegetarianism |
| IP 48 | — | 2023 | Eugenio Refini | Staging the Soul |
| IP 49 | — | 2021 | ed Maiko Favaro | Interpreting and Judging Petrarch’s Canzoniere in Early Modern Italy |
| IP 50 | — | 2021 | Ronnie Ferguson | Venetian Inscriptions |
| IP 55 | — | 2022 | Richard Andrews | Classical Comedy 1508-1786 |
| IP 56 | — | 2023 | ed Guyda Armstrong, Simon A. Gilson,
Federica Pich | Petrarch Commentary and Exegesis in Renaissance Italy and Beyond |
| IP 58 | — | 2023 | Marco Faini | Standing at the Crossroads |
| LGS | — | 2017 | ed Guido Bonsaver, Brian Richardson,,
Giuseppe Stellardi | Cultural Reception, Translation and Transformation from Medieval to Modern Italy |
| LGS | — | 2019 | Rocío G. Sumillera | Invention |
| SHLC 19 | — | 2018 | ed Terence O'Reilly, Colin Thompson,
Lesley Twomey | St Teresa of Ávila |
| SHLC 22 | — | 2019 | ed Rodrigo Cacho Casal,
Imogen Choi | The Rise of Spanish American Poetry 1500-1700 |
| SHLC 27 | — | 2019 | ed Stephen Boyd, Trudi L. Darby,
Terence O'Reilly | The Art of Cervantes in Don Quixote |
| SHLC 38 | — | 2020 | Luis Castellví Laukamp | Hispanic Baroque Ekphrasis |
| SHLC 40 | — | 2019 | Sander Berg | The Marvellous and the Miraculous in María de Zayas |
| T 8 | — | 2020 | ed Carole Birkan-Berz, Guillaume Coatalen,
Thomas Vuong | Translating Petrarch's Poetry |
| T 16 | — | 2021 | ed Márta Minier,
Lily Kahn | Hamlet Translations |
| T 18 | — | 2022 | Lucy Rayfield | Poetics, Performance and Politics in French and Italian Renaissance Comedy |